General Works Cited

“Abraham Casting Out Hagar and Ishmael.” Description of the Rembrandt etching for the Frick Collection’s 2017 exhibition Divine Encounter: Rembrandt’s Abraham and the Angels, https://www.frick.org/exhibitions/divine_encounter/3 

Adams, Elizabeth. “The Oath of the Pequod: Moby-Dick, Jacques-Louis David’s Oath of the Horatii, and the Aesthetic of the Distinct.” Leviathan 24.1 (March 2022): 3-23. 

“Adrian van Ostade” (No. XI in “The Great Masters of Art”). The Art-Journal (London), 1851, 273-76. 

Aeschylus, Persians, trs. Janet Lembke and C. J. Herington. New York: Oxford, 1981. “Introduction” by Herington, 3-35. 

--------. The Persians, tr. R. Potter. In Aeschylus. New York: Harper & Brothers, c. 1844. Pp. 309-42, with “Essay on the Grecian Drama” by John S. Harford, v-lxxi (Sealts, no. 147). 

Alegret, Celia. “Jouvenet, Jean.” Grove, 17: 670-72. 

“Annual Report 1856-57.” Brooklyn Museum Bulletin 18.5 (Fall 1957): 14-18. 

Ariosto, Ludovico. Orlando Furioso. Tr. Guido Waldman. London: Oxford University Press, 1974. 

Arlaud, Pierre. Catalogue Raisonné des Estampes Gravées d’après Joseph Vernet. Avignon: Rulliere-Libeccio, 1976. 

Art and the Empire City, 1825-1861. Ed. Catherine Hoover Voorsanger and John K. Howat. New York: Metropolitan Museum of Art, 2000. 

Averett, Matthew Knox. “Becoming Giorgio Cornaro: Titian’s ‘Portrait of a Man with a Falcon.’” Zeitschrift für Kunstgeschichte 74.4 (2011): 559-568. 

Avery-Quash, Suzanna. “William Hazlitt’s Account of Mr. Angerstein’s Collection of Pictures’’, in Tate Papers, no. 24, Autumn 2015, https://www.tate.org.uk/research/publications/tate-papers/24/william-hazlitts-account-of-mr-angersteins-collection-of-pictures, accessed 20 December 2021. 

Bachrach, Fred. Turner’s Holland. London: Tate Gallery, 1994. 

Baetjer, Katherine. “Buying Pictures for New York: The Founding Purchase of 1871.” Metropolitan Museum Journal 39 (2004) 161-235.  

Bajou, Thierry. “Blanchard, French family of painters.” Grove, 4: 124-27. 

Barbin, Madeleine. “Drevet.” Grove, 9: 296. 

Barratt, Carrie Rebora. “Mapping the Venues: New York City Art Exhibitions.” In Art and the Empire City, 46-81. 

Barry, T. A., and Patten, B. A. Men and Memories of San Francisco, in the ‘Spring of ‘50’. San Francsico: Bancroft and Company, 1873. 

Bartlett, W. H. Walks about the City and Environs of Jerusalem. London: Virtue, 186-? (Sealts, no. 50). 

Baxter, Lucy E. (pseud. Leader Scott). The Renaissance of Art in Italy: An Illustrated History. New York: Scribner and Welford, 1883 (Sealts 451.1). 

“The Beacon Tower: The Royal Pictures.” The Art-Journal 23 (1861): 182. 

Bell, Nancy R. E. (Meugen). Raphael, by N. D’Anvers [pseud.]. 2nd ed. New York: Scribner and Welford, 1880. (Sealts, no. 55) 

Bentley, C. E., Jr. The Early Engravings of Flaxman’s Classical Designs. New York: New York Public Library, 1964. 

Berckenhagen, Ekhart. “Werkkatalog.” In Antoine Pesne, ed. Georg Poensgen. Berlin: Deutscher Verein für Kunstwissenschaft, 1958. 93-222. 

Bersani, Christina, and Valeria Roncuzzi. Bologna nei libre d’arte dei secoli XVI-XIX. Exhibition catalog 16 September – 16 October 2004. Bologna: Biblioteca dell’Archiginnasio, 2004. 

Berthold, Dennis. American Risorgiamento: Herman Melville and the Cultural Politics of Italy. Columbus: Ohio State University Press, 2009. 

--------. “Ekphrastic Composites in ‘At the Hostelry’: Van de Veldes, Tromps, and Trompes l’Oeil.” Leviathan 9.3 (October 2007): 97-103. 

--------. “Melville and Dutch Genre Painting.” In Christopher Sten, ed. Savage Eye: Melville and the Visual Arts. Kent, Ohio: Kent State University Press, 1991. 218-45. 

--------. “Political Intertexts for Battle Pieces: Melville at the National Academy of Design, 1865.” In Melville as Poet, ed. Sanford Marovitz.  9-24. 

Bible. English, 1846. Authorized. The Holy Bible . . . Together with the Apocrypha. 2 vol. in 1. Philadelphia: Butler, 1846 (Sealts no. 62). 

Bible. N. T. Dutch. 1715. Het Nieuwe Testament. Amsterdam: van Reyschoote, 1715 (Sealts no. 63). 

Bible. N. T. English. 1844. Authorized. The New Testament . . . The Book of Psalms. 2 vol. in 1. New York: American Bible Society, 1844 (Sealts no. 65, MMO 65). 

Bible. O. T. Psalms. English. 1796. The Psalms of David, with Hymns and Spiritual Songs. Albany: Charles R. and George Webster, 1796 (Sealts no. 62a). 

Bindman, David. “Flaxman, John.” Grove 11: 162-65. 

--------, ed. John Flaxman. London: Thames and Hudson, 1979. 

Bishop, Morchard, ed. Recollections of the Table-Talk of Samuel Rogers. Lawrence, KA: University of Kansas Press, 1953.

Bishop, Ray. Paintings of the Royal Collection. Philadelphia: Lippincott, 1937. 

Blankert, Albert. Dutch 17th Century Italianate Landscape Painters. Soest: Davaco, 1978. 

--------, et. al. Dutch Classicism in Seventeenth-Century Painting. Rotterdam: Museum Boymans-Van Beuningen, Rotterdam, 2000. 

Bloch, Ariel and Chana. The Song of Songs: A New Translation with an Introduction and Commentary. New York: Random House, 1995. 

Blunt, Anthony. The Paintings of Nicholas Poussin: A Critical Catalogue. London: Phaidon Press, 1966. 

Boatwright, Mary Taliaferro. Hadrian and the City of Rome. Princeton: Princeton University Press, 1987. 

Bocher, Emmanuel. Catalog Raisonné des Estampes de Augustin de Saint-Aubin. Vol. 5 of Les Gravures françaises du 18e siecle. Paris: Librarie des bibliophiles, 1875-82. 

Boisclair, Marie-Nicole. Gaspard Dughet: Sa vie et son oeuvre (1615-1675). Paris: Arthéna, 1986. 

-------. “Dughet [Poussin], Gaspard [Gasper, Gaspere, Gusper, Gaspere, Guaspre].” Grove Dictionary of Art Online, 2003. 

Bourget, Jean. The History of the Royal Abbey of Bec, near Rouen in Normandy. London: printed for J. Nichols and sold by H. Payne, 1779. 

“Boy with a Sword, 1861.” Metropolitan Museum of Art, New York, https://www.metmuseum.org/art/collection/search/436948 

Braham, Helen, and Robert Bruce Gardner. “Rubens’s ‘Landscape by moonlight.’” The Burlington Magazine 183 (August 1988): 279-96.

Braun, Emil. The Ruins and Museums of Rome. Brunswick: Frederick Vieweg and Son, 1854 (Sealts, no. 86.1). 

Brigstocke, Hugh. A Loan Exhibition of Drawings by Nicolas Poussin from British Collections. Ashmolean Museum, Oxford, December 4, 1990 – February 17, 1991. London: 1990. 

Bryant, John. Herman Melville: A Half-Known Life. Vols. 1 and 2. Hoboken NJ: Wiley-Blackwell, 2021. 

Burnet, John. Rembrandt and His Works: Comprising a Short Account of his Life; with a Critical Examination into his Principles and Practice of Design, Light, Shade, and Colour. Illustrated by Examples of the Etchings of Rembrandt. London: David Bogue, 1849. 

--------. A Treatise on Painting: In Four Parts . . . The Whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch Schools. London: Carpenter, 1634-37. 4 vol. in 1 (Sealts no. 98). Burnett, D. G. “Landscapes of Aelbert Cuyp.” Apollo Magazine 89 (May 1969): 372-380.

Butlin, Martin, and Evelyn Joll. The Paintings of J. M. W. Turner: Text. Rev. Ed. New Haven CT: Yale University Press, 1984. 

Buvelot, Quentin, et. al.  Frans van Mieris, 1635-1681. The Hague (Mauritshuis) and Washington, D. C. (National Gallery), 2005.

Byron, George Gordon. The Poetical Works of Lord Byron. Boston: Little, Brown, c. 1853. 10 vol. (Sealts no. 112). 

Cantor, Sarah Beth. The Landscapes of Gaspard Dughet: Artistic Identity and Intellectual Formation in Seventeenth-Century Rome. Doctoral Thesis, University of Maryland, College Park, 2013. 

“A Capriote: John Singer Sargent, 1878.” Boston Museum of Fine Arts, https://collections.mfa.org/objects/32955/a-capriote 

Carboni, Stefano, and Tomoko Masuya. Persian Tiles. New York: Metropolitan Museum of Art, 1993. 

Carradice, Ian. “Coins: Ancient Near East.” Grove, 1: 888-89. 

Carrier, David. Poussin’s Paintings. University Park: University of Pennsylvania Press, 1993. 

“La Cascade (copy 2).” A Watteau Abecedario (revised April 2021), http://watteau-abecedario.org/cascadecopies.htm 

“The Cascade.” New York Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/437927 

Cassas, L. F. Voyage pittoresque de la Syrie, de la Phoenicie, de la Palestine et de la Basse-Egypte. 3 vol. Paris: 1798-99. 

Catalogue of the Celebrated Collection of Paintings by Modern and Old Masters, and of Water-Colors and Drawings, formed by M. E. Sercétan. Sold at Sedelmeyer’s Galleries, Paris, July 1889. 

“Catalogue of the Collection of Pictures belonging to Samuel Rogers.” In William Hazlitt, Criticisms on Art, Second Series. London: Templeman, 1844. Appendix IX. 

Catalogue of the Corcoran Gallery of Art. Ed. William Macleod, 43rd ed. Washington, D. C.: 1887. 

Catalogue of the Paintings in the Metropolitan Museum of Art. Published by the Museum. October 1905, with Addenda to September, 1909, Inclusive. 

Catalogue of the Very Celebrated Collection of Works of Art, The Property of Samuel Rogers, Esq., Deceased. London: Christie and Mason, Monday, April 28, 1856, and Eighteen Following Days. 

Cayeux, Jean de. “Augustin de Saint-Aubin” (1736-1807). Grove, 27: 530-31. 

Chappell, Miles. “Raphael [Raffaelle] Morghen.” New Grove Dictionary of Art, 22: 113-114. 

“Charles Waltner’s Huge Etching of Rembrandt’s ‘The Night Watch.’” Prints and Principles, http://www.printsandprinciples.com/2017/05/charles-waltners-huge-etching-of.html 

Chasles, Philaréte. “The Actual and Fantastic Voyages of Herman Melville” (from the Revue des Deux Mondes). The Literary World (New York), August 4, 1849. 89-90.

Chong, Alan. “Aelbert [Albert] Cuyp.” Grove, 8: 293-98.

------. "Aelbert Cuyp." In Sutton, 290-304. 

------.  European and American Painting in the Cleveland Museum of Art.  Cleveland: Cleveland Museum of Art, 1993. 

------. “New Dates of Works from Aelbert Cuyp’s Early Career.” Burlington Magazine 133 (September 1991): 606-12. 

Christiansen, Keith. “Annibale Carracci (1560–1609).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–, http://www.metmuseum.org/toah/hd/carr/hd_carr.htm (October 2003). 

-------. “Ludovico Carracci, Madonna and Child with Saints, 1607.” The Metropolitan Museum of Art, 2010, https://www.metmuseum.org/art/collection/search/438776 

Cocke, Richard. Veronese’s Drawings: with a Catalog Raisonne. Ithaca: Cornell University Press, 1984. 

Coesvelt, William G. Collection of the Pictures of W. G. Coesvelt, esq. of London. London: J. Carpenter and Son, 1836. 

Coffler, Gail. “Classical Iconography in the Aesthetics of Billy Budd, Sailor.” In Sten, Savage Eye, 257-76. 

--------. Melville’s Allusions to Religion: A Comprehensive Index and Glossary. Westport CT: Praeger, 2004. 

--------. Melville’s Classical Allusions: A Comprehensive Index and Glossary. Westport CT: Greenwood Press, 1985. 

Cohen, Hennig. The Battle-Pieces of Herman Melville. New York: Thomas Yoseloff, 1963. 

--------. Selected Poems of Herman Melville. New York: Fordham University Press, 1991. 

Cohn, Marjorie B. A Noble Collection: The Spencer Album of Old Master Prints. Fogg Art Museum, Harvard University Art Museums, 1992. 

A Collection of Original Etchings. London: J. McCreery, Black-Horse Court, Fleet Street, 1816  

“The Collection of Samuel Rogers.” The Art-Union (London) 9 (1847): 83-85.  

Concerning Delacroix and Jules Breton, apropros of a Special Exhibition of their Work at the Galleries of M. Knoedler and Company, Successors to Goupil and Company, https://libmma.contentdm.oclc.org/digital/api/collection/p15324coll8/id/654/page/0/inline/p15324coll8_654_0 

Conisbee, Philip. “(Claude-)Joseph Vernet.” Grove, 32: 331-34. 

Constans, Claire. “Le Brun, Charles.” Grove, 19: 19-26. 

Cook, Jonathan. “Moby-Dick, Myth, and Classical Moralism: Bulkington as Hercules.” Leviathan 5 (March 2003): 15-28. 

Couché, Jacques, et al. Galerie du Palais royal, gravée d'après les tableaux des differentes ecoles qui la composent: avec un abrégé de la vie des peintres & une description historique de chaque tableau. 3 vol. Paris: Chez J. Couché and J. Bouilliard, 1786-1808. 

“The Country Dance.” New York Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/437928 

Coural, Natalie. Les Patel: Pierre Patel (1605-1676) et ses fils, Le paysage de ruines á Paris au xviie siècle. Paris: Arthéna, 2001. 

-------. “Patel.” Grove, 1996, 24:253-56. 

A Corpus of Rembrandt Paintings. Ed. J. Brun, et. al. Dortdrecht, Boston, and London: 1982-2014. 6 vol. 

Craig, Kenneth M. “Rembrandt and the Slaughtered Ox.” Journal of the Warburg and Courtauld Institutes 46 (1983): 235-39. General Guide to the Metropolitan Museum of Art Exhibition of 1888-89. Metropolitan Museum of Art, c. 1888. 

Cropper, Elizabeth. The Domenichino Affair: Novelty, Imitation, and Theft in Seventeenth-Century Italy. New Haven: Yale University Press, 2005. 

-------, and Charles Dempsey. Nicolas Poussin: Friendship and the Love of Painting. Princeton: Princeton University Press, 1996. 

Crowe, J. A., and G. B. Cavalcaselle. Titian: His Life and Times. With Some Account of his Family, Chiefly from New and Unpublished Records. 2 vol. London: John Murray, 1877. 

Cundall, Frank. The Landscape and Pastoral Painters of Holland: Ruisdael, Hobbema, Cuyjp, Potter. New York: Scribner and Welford, 1891 (S 169). 

Cuzin, Jean-Pierre. “Jean-Baptiste Regnault.” In De David de Delacroix, 570-577. 

Dante Alighieri. The Vision: or Hell, Purgatory, and Paradise. Tr. Henry Francis Cary. London: Bohn, 1847 (Sealts no. 147). 

Darwin, Charles. The Voyage of the Beagle, vol. 29 of the Harvard Classics. New York: P. F. Collier, 1909. 

Davies, Alice I. “Allart van Everdingen.” Grove, 10: 660-61.  

--------. Allart van Everdingen. New York: Garland, 1978.  

--------. Allart van Everdingen 1621-1675: First Painter of Scandanavian Landscape; Catalogue Raisonne of Paintings. Davaco: Doornspijk, 2001.  

De David à Delacroix: La Peinture française de 1774 à 1830. Catalog for exhibition at Grand Palais, Paris, 1974-75. Éditions des musées Nationaux. 

Delbanco, Andrew. Melville: His World and Work. New York: Knopf, 2005. 

Description des Principales Pierres gravées du cabinet de S. A. S. Monseigneur de Duc d’Orléans, Premier Prince du Sang. Vol. 1. Paris: La Chau and Le Blond, 1780-84. 

Dettlaff, Shirley M. “Ionian Form and Esau’s Waste: Melville’s View of Art in Clarel.” American Literature 54 (May 1982): 212-28. 

De Vesme, Alexandre. Stefano della Bella: catalogue raisonne, ed. with additions Phyllis Dearborn Massar. 2 vol. New York: Collectors Editions, 1971. 

Dickinson, Emily. The Complete Poems. Ed. Thomas H. Johnson. New York: Little, Brown, and Company, 1976. 

Dillingham, William B. Melville and his Circle: The Last Years. Athens: University of Georgia Press, 1996.

“Domenic Zampieri” (Domenichino). In The Works of Eminent Masters in Painting, Sculpture, Architecture, and Decorative Art. London: John Cassell, 1854, 2 vol. in 1, 2:193-204 (Sealts no. 564). 

Downes, William Howe. “Dutch, English, American, Italian, and German Works in the Museum of Fine Arts” (No. 5 in “Boston Painters and Paintings"). Atlantic Monthly 62 (November 1888): 646-649. https://www.theatlantic.com/magazine/archive/1888/11/boston-painters-and-paintings/634139/ 

Drapkin, Joshua. “Cassas, Louis-François.” Grove, 5: 921. 

Dullea, Owen John. Claude Gellée le Lorrain. New York: Scribner and Welford, 1887 (Sealts no. 192). 

Duplessis, Georges. Catalogue de l’oeuvre de Abraham Bosse. Paris: 1859. 

-------. The Wonders of Engraving . . . Illustrated with Ten Reproductions in Autotype and Thirty-Four Wood Engravings, by P. Sellier. London: Low and Marston, 1871 (Sealts, no. 195). 

Ekserdjian, David. “Francesco Francia.” Grove, 1996, 11:699-702. 

"Europa: The Royal Pictures." The Art-Journal 21 (1859): 296. 

Explication des ouvrages de peinture et de sculpture de l'école moderne de France, exposés le 24 Avril 1818 dans le Musée royal du Luxembourg. Paris: P. Didot, 1818.

Farwell, Beatrice. “Manet, Edouard.” Grove, 20: 254-62. 

Feinblatt, Ebria. Agostino Mitelli, Drawings: Loan Exhibition from the Kunstbibliothek, Berlin, 31 March—30 April 1965.  Los Angeles County Museum of Art, 1965. 

--------.  “Mitelli (1) Agostino (2) Guiseppe.” Grove, 21: 732-33. 

Ferrantello, D. J. “Moby-Dick” and Peace: Melville’s “Gospel of the Century” Revisited. Marietta, GA: Open Sky Press, 2000. 

Ficacci, Luigi. Giovanni Battista Piranesi: The Complete Etchings. Cologne: Taschen, 2000. 

Flaxman, John. Compositions from the Hell, Purgatory, and Paradise of Dante. Engraved by Thomas Piroli from the Drawings in Possession of Thomas Hope, 1793. London: Longman, Hurst, Reese, and Orme, 1807. 

--------. Purgatoire du Dante, from Oeuvre Complet de Flaxman. Recueil de les compositions gravées au trait by Étienne Achille Reveil, vol. 11. Paris: Audot, and Brussels, Parichon, 1833. 

Fodor’s Travel, https://www.fodors.com/world/europe/netherlands/veere

Foister, Susan. “Hans Holbein (ii).” Grove 14: 666-73. 

Ford, Richard. A Handbook for Travellers in Spain. London: John Murray, 1845. 2 vol. 

Frank, Stuart M. Melville’s Picture Gallery: Sources and Types of the “Pictorial” Chapters of Moby-Dick. Fairhaven, MA: Edward J. Lefkowicz, 1986. 

Freeman, Emily. Domenichino’s Scenes from the Life of St. Cecilia: Artistic Interpretation and the Counter-Reformation. M.A. Thesis. Texas Christian University. 

Frelinghuysen, Alice Cooney, et al. Splendid Legacy: The Havemeyer Collection. The Metropolitan Museum of Art, New York, 1993. 

French, Anne. Gaspard Dughet called Gaspar Poussin: 1615-1675: A French Landscape Painter in Seventeenth-Century Rome and his Influence on British Art. London: Kenwood House, 1980. 

Friedlaender, Walter. Nicolas Poussin: A New Approach. New York: Harry N. Abrams, 1966. 

“Gabriel Metsu: No. XXIII in The Great Masters of Art.” Art Journal (London), 1853, 217-20.

Galerie de Rubens, dite du Luxembourg. Paris: Deterville and Roret, 1809.

Gallafassi, Pierre. “Rugs in Paintings of the Dutch Golden Age.” Part 5 in Salon de Tapis d’Orient, http://www.turkotek.com/old_masters/salon_5.html

Gandlau, Thomas. “Sudermann, Daniel.” In Biographisch-Bibliographisches Kirkenlexikon 11 (1996): 166-69. 

Gareau, Michel. Charles Le Brun: First Painter to King Louis XIV. New York: Abrams, 1992. 

Garner, Stanton. “Surviving the Gilded Age: Herman Melville in the Customs Service." Essays in Arts and Sciences XV (June 1986): 1-14. 

“Gaspar van Wittel, The Darsena, Naples.” Museo Nacional Thyssen-Bournemisza, https://www.museothyssen.org/en/collection/artists/wittel-gaspar-van/darsena-naples 

Gems of Art, forming a choice collection engraved from pictures of acknowledge excellence, beauty and variety, painted by esteemed masters of all ages and countries. London: W. B. Cooke & Henry G. Bohn, 1848. 

General Guide to the Metropolitan Museum of Art Exhibition of 1888-89. Metropolitan Museum of Art. 

“Georg Frederic Schmidt.” In Anthony Griffiths and Frances Carey, German Printmaking in the Age of Goethe. London: British Museum Press, 1994. 49-50. 

“Gerard de Lairesse: Apollo and Aurora,” https://www.metmuseum.org/art/collection/search/436843 

Gerson, Horst. Rembrandt Catalogue Raisonné, 1968, https://commons.wikimedia.org/wiki/File:Circle_of_Rembrandt_-_Tobit_and_Angel_Healing_Blindness.jpg 

Gibbon, Edward. The History of the Decline and Fall of the Roman Empire. 3 vol. New York: Modern Library, 1970 (Sealts posits an unidentified edition published before 1877 as no. 223b) 

Ginsburg, Christian D. [C. D. C.]. “Solomon’s Song.” Cyclopedia of Biblical Literature. Originally edited by John Kitto. Third ed., edited by William Lindsay Alexander. Philadelphia: J. B. Lippincott, 1866. 

“Giorgio Cornaro (H-4),” www.boglewood.com/Cornaro/xh5.html. 

Gleisberg, Deiter. “’ . . . in context each sheet becomes instructive’: Goethe as an art collector and his relationship with Carl Gustav Boerner.” In Goethe, Boerner, and the Artists of their Time. Düsseldorf and New York: C. G. Boerner, 1999. 9-49. 

Goldberg, Michael. “Hortus Conclusis.” In The Song of Solomon: Love Poetry of the Spirit. Ed. Lawrence Boadt. New York: St. Martin’s Griffin, 1999. 31-34. 

Goncourt, Edmond, and Jules de. French Eighteenth-Century Painters. Tr. Robin Ironside. London: Phaidon, 1948; rpr. Ithaca: Cornell University Press, 1981. 

Gonse, Louis. “Salon de 1874.” Gazette des Beaux-Arts 2.10 (July 1874): 25-49. 

Gordon, George. “Neyts [Nyts], Gillis.” Grove, 23:77.

Gotlieb, Marc J. The Plight of Emulation: Ernest Meissonier and French Salon Painting. Princeton: Princeton University Press, 1996. 

Gould, Cecil. “Titian [Vecellio Tiziano].” Grove, 31: 31-45. 

Gower, Lord Ronald Charles Sutherland. The Figure Painters of Holland. New York: Scribner and Welford, 1880 (Sealts no. 233). 

Gowing, Lawrence. Paintings in the Louvre. New York: Stewart, Tabori, and Chang, 1987.

Goya, Francisco. The Disasters of War. New York: Dover, 1967. 

Gretchko, John M. J. “The Library of Jane L. Melville: With Some Provocations toward the Creativity of Herman Melville.” Leviathan 24.2 (June 2022): 54-75. 

Griffiths, Anthony, and Frances Carey. German Printmaking in the Age of Goethe. London: British Museum Press, 1994. 

The Guide to the Galleries of Paintings of the Imperial Museum of the Louvre in 1855. Paris: De Soye and Bouchet, 1855. 

Guérin, Marcel. L’Œuvre Gravé de Manet. Paris: Libraire Floury, 1944. Part 1, Eaux-Fortes. 

Gurock, Elizabeth. “Heyden, Jacob van der.” Grove, 14: 502-3. 

Hall, James. Dictionary of Subjects and Symbols in Art. New York: Harper & Row, 1979. 

Hall, S. C. Gems of European Art. London: G. Virtue, 1846. 

Halsey, Frederic Robert. Raphael Morghen’s Engraved Works. New York and London: G. P. Putnam’s Sons, 1885. 

Hand-book, No. 1 (November 1890 to April 1891): Part 1, The Catharine Lorillard Wolfe Collection in the New Western Galleries & Part 2, Pictures by Modern Masters in the Old Western Galleries. Metropolitan Museum of Art, New York, https://libmma.contentdm.oclc.org/digital/collection/p15324coll10/id/5571 

Hand-book, No. 6 (May to November, 1891): Part 1, Pictures by Old Masters in the Old Eastern Gallery & Part 2, Loan Collections and Recent Gifts to the Museum in the Old Easter Gallery. Metropolitan Museum of Art, https://library.metmuseum.org/record=b1357655~S1 

Hand-book, No. 6 (November 1887 to April 1888): Collection of Paintings and Sculpture in the West Galleries and Grand Hall. Metropolitan Museum of Art, New York, https://library.metmuseum.org:443/record=b1044703~S1 

Hand-book No. 7, Metropolitan Museum of Art, November 1890 to April 1891. 

Hand-book No. 8: Drawings, Water-Color Paintings, Photographs, and Etchings. Metropolitan Museum of Art, 1888-89. 

Hand-book No. 10. Collection of Old Masters and Pictures of the English School in the New Eastern Gallery O. Metropolitan Museum of Art [May 1890]. 

“A Harbour c. 1630-1720, Style of Claude Lorrain.” Windsor Castle. Royal Collection Trust, https://www.lot-art.com/auction-lots/Vivares-Francis-A-View-near-Naples-1769/196-vivare_franci-04.3.20-dominic. 

Harris, Ann Sutherland. “Gaspard Dughet.” In Landscape Painting in Rome, 1595-1985. New York: Richard L. Feigin, 1985, 168-74. 

-------, et. al. Landscape Painting in Rome, 1595-1675. New York: R.L. Feigen, 1985.  

Harris, Jean. Edouard Manet’s Graphic Works: A Definitive Catalogue Raisonné. New York: Collectors Editions, 1970. 

Harrison, Colin. “Bosse, Abraham.” Grove, 4: 467-69. 

Hayden, Arthur. Chats on Old Prints. London: T. Fisher Unwin, 1906. 

Hazlitt, William. “Catalogue of the Collection of Pictures belonging to Samuel Rogers.” In Hazlitt, Criticisms on Art. Second Series. London: J. Templeman, 1844, Appendix IX. 

--------. Criticisms on Art, and Sketches of the Picture Galleries of England. Edited by his son. 2 vol. in 1. London: J. Templeman, 1843 (Sealts no. 263a; MMO 263a). 

--------. “Mr. Angerstein’s Collection,” in Criticisms on Art. 1843, pp. 1-18. 

--------. “On a Landscape of Nicholas Poussin.” In Table-Talk, 1845, 1: 66-73. 

--------. Table Talk: Opinions on Books, Men, and Things. First American Edition. New York: Wiley and Putnam, 1845, 1846. 2 vol. (Sealts no. 266a). 

--------, and B. R. Haydon. Painting, and the Fine Arts. Edinburgh: Adam and Charles Black, 1838. 

Head, Barclay V. Historica Numorum: A Manual of Greek Numismatics. New and enlarged ed. Amsterdam: Adolf M. Hakkert, 1991. 

“Hercule entre le vice et la virtu, par Lairese.” In Le Musee Royal. . . Recueil de Gravures.” Paris: F. Didot, 1818.  

“Hercules between Vice and Virtue.” The Works of Eminent Masters. 2: 87, 93. 

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Shaw-Taylor, Desmond. “Aelbert Cuyp: Herdsmen with Cows.” In Rembrandt to Gainsborough: Masterpieces from Dulwich Picture Gallery. Merrell Holberton, 1999, 176-77. 

Shinn, Earl (pseud. Edward Strahan). Chefs-d’oeuvre d’Art of the International Exposition, 1878. Philadelphia: Gebbie and Barrie, c. 1878-80. 

--------. “The Collection of Miss Catharine Lorillard Wolfe.” In The Art Treasures of America. 3 vol. Philadelphia: George Barrie, 1879-1882. 1: 119-34. 

--------. Ėtudes in Modern French Art. New York: R. Worthington, 1882. 

Slive, Seymour. “Additions of Jacob Ruisdeal.” Burlington Magazine 133 (September 1991): 598-606. 

-------. Jacob van Ruisdael: A Complete Catalogue of his Paintings, Drawings, and Etchings. New Haven: Yale University Press, 2001. 

-------, and H. R. Hoetink. Jacob van Ruisdael. New York: Abbeville Press, 1981. 

Sluijter, Eric J. “(1) Frans van Mieris (i)” and “(2) William van Mieris.” Grove, 21: 486-90.

“A Skirmish of Cavalry, c. 1646.” Buckingham Palace, https://www.rct.uk/collection/404533/a-skirmish-of-cavalry 

Smith, Christopher W. The Dutch Pictures in the Collection of her Majesty the Queen. Cambridge: Cambridge University Press, 1982. Rev. London: Royal Collection Trust, 2015.   

Snoep, D. P. “Classicism and History Painting in the Late Seventeeth Century.” In Dutch Painting in the Age of Rembrandt. Ed. Albert Blankert. Washington: National Gallery of Art. 237-52. 

--------.  Gods, Saints, & Heroes: Dutch Painting in the Age of Rembrandt.  Washington, D. C.: National Gallery of Art, 1980.  237-52.

“South-West Approach to the Town of Veere with the Groote Kerk.” English Royal Collection at Buckingham Palace, https://www.rct.uk/collection/405950/the-south-west-approach-to-the-town-of-veere-with-the-groote-kerk  

Spear, Richard E. Domenichino. 2 vol. New Haven: Yale University Press, 1982.  

Staël-Holstein, Anne Louise Germaine (Necker). Germany. New York: Derby and Jackson, 1859 (Sealts no. 487). 

“The Start of the Race of the Riderless Horses.” Metropolitan Museum website, https://www.metmuseum.org/art/collection/search/437888 

“The Steam Ram, Dunderberg.” Harper’s Weekly, May 25, 1867, p. 325.

Stechow, Wolfgang. Dutch Landscape Painting of the Seventeenth Century. London: Phaidon, 1966. 

Sten, Christopher. See Savage Eye. 

Stewart, Susan. The Ruins Lesson: Meaning and Material in Western Culture. Chicago: University of Chicago Press, 2020. 

Stivani, Eros. L’oratorio di Santa Cecilia. Bologna: Costa, 1998; English translation: Eros Stivani. The Oratory of Saint Cecelia. Bologna: 2003.  

Stryienski, Casimir, and Philippe Orléans. La galerie du régent, Philippe, duc d'Orléans. Paris: Goupil, 1913.  

Stone-Ferrier, Linda. “Gabriel Metsu Street-Vendors: Shopping for Values in the Dutch Neighborhood.” In Waiboer, 73-95.

Story, George H. Letter to Louis Palma di Cesnola, Director of the Metropolitan Museum of Art, September 10, 1891. Office of the Secretary, 1870-1950, Metropolitan Museum of Art. 

Sudermann, Daniel. Hohe geistreiche Lehren und Erklärungen: uber die fürnembsten Sprüche desz Hohen Lieds Salomonis von der Liebhabenden Seele das ist, Der Christlichen Kirchen und ihrem Gemahl Jesu Christo. Frankfurt: Eberhardt Kieser, gedruckt und verlegt durch Jacob von der Heyden, 1622. 

-------. Schöne ausserlesene Figuren und hohe Lehren von der Begnadeten Liebhabenden Seele, nemlich der Christlichen Kirchen und ihre Gemahl Jesu Christo. Zum theyl auß dem hohen Lied Salomonis, wie auch auß der alten Christlichen Kirchenlehrern Schrifften gezogen. Strasbourg: van der Heyden, c. 1620. 

--------. Thirty engraved leaves with poems signed by engraver “HEW.” Microfilm. New Haven: Research Publications, 1967. Yale University Library collection of German baroque literature, reel 24, no. 206. 

Sumner, Charles. The Best Portraits in Engraving. New York: F. Keppel & Co., 1875.  

Sunderland, John, and Ettore Camesasca. The Complete Paintings of Watteau. New York: Abrams, 1968. 

Sutton, Peter C, et. al. Masters of 17th-Century Dutch Landscape Painting. Boston: Museum of Fine Arts, 1987. 

Sweetster, M. F. Guido Reni. Boston: Houghton, Osgood, 1878.  

Syria, the Holy Land, Asia Minor, &c. Illustrated. In a series of views drawn from nature by W. H. Bartlett, &c. with description of the plates by John Carne. 3 vol. in 2. London and Paris: Fisher, Son & Co., 1836-38. 

Szabo, Franz. Kaunitz and Enlightened Absolutism, 1753-1780. Cambridge: Cambridge University Press, 1994.  

Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt, door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent, en van de beste meesters in koper gesneden, en met beschrijvingen uitgebreid. 3 vol. Graavenhaage: Pieter de Hondt, 1728. 

Tamarkin, Elisa. “A Final Appearance with Elihu Vedder: Melville’s Visions.” Leviathan 18.5 (October 2016): 68-111. 

-------. “Melville with Pictures.” The New Cambridge Companion to Herman Melville. Ed. Robert S. Levine. New York: Cambridge University Press, 2014. 169-86. 

Tardieu, Charles. “La Peinture au Salon de Paris, Itinéraire.” L’Art 5 (v. 17, pt. 2) 1879. 145-92. 

Tasso, Torquato. Jerusalem Delivered. Tr. Anthony M. Esolen. Baltimore: Johns Hopkins University Press, 2000. 

Tillerot, Isabelle. “Engraving Watteau in the Eighteenth Century: Order and Display in the Recueil Jullienne.” Getty Research Journal 3 (2011): 33-52. 

Thuillier, Jacques. Jacques Blanchard, 1660-1638. Rennes: Musée des beaux-arts des Rennes, 1998. 

-------, with Jacques Foucart. Rubens’s Life of Marie de Medici. New York: H. N. Abrams, 1970.

“Two Rembrandts Bought by H. O. Havemeyer and also a Delacroix.” New York Times, December 9, 1888, p. 4. 

Valery, Antoine Claude Pasquin. Historical, Literary, and Artistical Travels through Italy, a Complete and Methodical Guide for Travellers and Artists. Tr. C. E. Clifton. With a Copious Index and Road-Map of Italy. Paris: Baudry, 1852. (Sealts no. 533) 

van de Sandt, Udolpho. “Peyron, (Jean-François-) Pierre.” Grove, 24: 583-84. 

Varignana, Franca. Le collezioni d’Arte della Cassa di risparmio in Bologna: le incisioni, vol. 1: Guiseppe Maria Mitelli. Bologna: ALFA, c. 1978.  

Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors, and Architects. Tr. Mrs. Jonathan Foster. 5 vol. London: Bohn, 1849-52. (Sealts nos. 534 and 534a)  

Vedder, Elihu. The Rubáiyát of Omar Khayyám . . . with an accompaniment of Drawings by Elihu Vedder. Boston: Houghton Mifflin, c. 1886 (Sealts no. 392). 

Vey, Horst. “Van Dyck in Antwerp and Brussels.” In Van Dyck: A Complete Catalogue of the Paintings. New Haven: Yale University Press, 2004. 237-416.

Vidal, Mary. Watteau’s Painted Conversations. New Haven: Yale University Press, 1992. 

“View of Naples.” Illustrated London News 35 (November 29, 1956): 544. 

Villa Vauban, Luxembourg City. David Teniers the Younger, Flemish Interior with Slaughtered Ox, https://villavauban.lu/en/exhibition/les-collections-en-mouvement-1/ 

“Virgin and Child in Glory with Saints Louis, Alexius, John the Baptist, Catherine, Francis, and Clare (Madonna of San Ludovico),” Pinacoteca Nazioinale Bologna, https://www.pinacotecabologna.beniculturali.it/en/content_page/item/2820-virgin-and-child-in-glory-with-saints-louis-alexius-john-the-baptist-catherine-francis-and-clare-madonna-of-san-ludovico 

Visconti, Ennio Quirino. Il Museo Pio Clementi. Vol. 5. Rome: Luigi Miri, 1796. 

“Vivares, François.” Dictionary of National Biography. London: 1885-1900, https://en.wikisource.org/wiki/Dictionary_of_National_Biography,_1885-1900/Vivares,_Fran%C3%A7ois 

Vlieghe, Hans. “David Teniers II.” Grove, 30: 460-64. 

------. “Rubens, Peter Paul.” Grove, 27: 287-303.

Vogel, Mark. "The Light from the Whale." The Keeper's Log 30 (Fall 2014): 56-62.  

Von Hadeln, Detlev, Baron. “A Portrait by Paolo Veronese.” Burlington Magazine 52 (April 1928): 191-93.  

Vries, Lyckle de. Gérard de Lairesse: An Artist between Stage and Studio. Amsterdam: Amsterdam University Press, 1998. [maybe others from previous section] 

Waagen, Gustav. “Mr. Rogers’s Collection.” In Treasures of Art in Great Britain. London: John Murray, 1854; rpr. London: Cornmarket Press, 1970. 1:73-83. 

--------. Treasures of Art in Great Britain. Tr. Elizabeth Eastlake. 4 vols. London: John Murray, 1954.  

Waiboer, Adrieen, et. al. Gabriel Metsu. Dublin and New Haven: National Gallery of Ireland and Yale University Press, 2010.

Wallace, Robert K. “’Aloof’ and ‘Aloft’: Cape Colonna in Melville’s Poem and Turner’s Engravings.” In Melville ‘Among the Nations.’ 463-471. 

-------. Melville and Turner: Spheres of Love and Fright. Athens GA: University of Georgia Press, 1992. 

-------. “Melville’s ‘Venice,’ Turner’s Vignette, Ruskin’s Stones, and Darwin’s Voyage.” In Mediterranean Perspectives: Philosophy, Literature, History and Art. Ed. James E. Carraway. Dowling College Press, 1997. 21-35.  

-------. “’Unlike Things Must Meet and Mate’: Melville and the Visual Arts.” In A Companion to Melville. Ed. Wyn Kelley. London: Blackwell, 2006. 342-61. 

Walpole, Horace. Anecdotes of Paintings in England. Reprint of 1786 edition. London: Alexander Murray, 1871 (Sealts no. 543a). 

Walsh, Amy L. “Mariette Family.” Grove Dictionary of Art Online, 2003. 

Warrell, Ian. “The First Selection of Watercolours from the Turner Bequest, 1856.” Appendix 1 in Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest. London: Tate Gallery Publications, 1995. 148.  

Wassink. L. J. “Tilborgh, Gillis van.” Grove, 30:874. 

“The Weeders, 1868, Jules Breton.” New York Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/435773 

Wegelin, Oscar. “Herman Melville as I Recall Him.” Colophon, n. s. 1 (Summer 1935): 21-24. 

Weitzenhoffer, Frances. The Havemeyers: Impressionism Comes to America. New York: H. N. Abrams, 1986. 

Wessley, Joseph Edward. Richard Earlom: Verzeichniss seiner Radirungen und Schabkunstblätter. 2 vol. Hamburg: Haendcke & Lemkuhl, 1886.  

Wethey, Harold E. The Paintings of Titian. 3 vol. New York: Phaidon, 1969.  

Wheelock, Arthur K., Jr. Flemish Painters of the Seventeenth Century. Washington: National Gallery of Art, 2005. 

--------. “Review of ‘Allart van Everdingen 1621-1675’ (2021).” Oud Holland, November 2022, https://oudholland.rkd.nl/index.php/reviews/86-review-of-allart-van-everdingen-1621-1675.html  

White, Christopher. Peter Paul Rubens: Man and Artist. New Haven: Yale University Press, 1987.

--------.  The Dutch Pictures in the Collection of Her Majesty the Queen.  Cambridge: Cambridge University Press, 1982. 

Whiteley, John. “(Ambroise-) Louis Garneray.” Grove, 14: 153-54. 

Whittingham, Selby. “Watteau’s L’Île Enchantée: From the French Régence to the English Regency.” Pantheon 42 (1984): 339-47. 

“William van de Velde II, Entrance to a Dutch Port,” https://www.metmuseum.org/art/collection/search/437876

Wilton, Andrew. J. M. W. Turner: His Art and Life. New York: Rizzoli, 1979. 

Wilton-Ely, John. Giovanni Battista Piranesi: The Complete Etchings. 2 vol. San Francisco: Alan Wofsey 1994. 

--------. “Piranesi, Giovanni Battista.” Grove, 24: 841-7 

Wine, Humphrey. “(Jean-) Antoine Watteau.” Grove, 32:913-20. 

--------. The Seventeenth Century French Paintings. London: National Gallery Company, 2001. 

Wintermute, Alan. Watteau and his World: French Drawing from 1700 to 1750. London: Merrell Holberton,1999. 

Witthoft, Brucia. The Fine-Arts Etchings of James David Smillie, 1833-1909. Lewiston NY: Edwin Mellon, 1992. 

Wordsworth, Christopher. Greece: Pictorial, Descriptive, and Historical. 2d ed. London: Orr, 1844 (Sealts, no. 563.) 

The Works of Eminent Masters in Painting, Sculpture, Architecture, and Decorative Art. 2 vol. in 1. London: Cassell, 1854 (Sealts no. 564; MMO 564). 

Worley, Michael Preston. “Julien, Pierre.” Grove, 17: 683. 

Wright, John. Early Bibles of American. 3d ed., rev. & enlarged. New York: T. Whittaker, 1994. 

Wright, Nathalia. Melville’s Use of the Bible. New York: Octagon Books, 1969 (rpt. from Duke University Press, 1949). 

“The Writing Master.” The Art Journal (London), 1880, 356-57.

“Young Lady in 1866, 1866.” Metropolitan Museum of Art, New York, https://www.metmuseum.org/art/collection/search/43696