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Tags: Adler (George); Annotated by Herman Melville; Artist in Studio; Bay of Naples; Berkshire Athenaeum (BA); Brouwer (Adriaen); Custom House (New York City); Dante; Dante (Purgatorio); Dresden State Museum (Gemaldegalerie Alte Meister); E. Barton Chapin Family Collection; Ekeman-Alleson (Lorenz); English language; Family Portraits; Flaxman (John); Gansevoort (Harmen Harmense); Hals (Frans); Hazlitt (William) Criticisms on Art; Hazlitt (William) The Marquis of Stafford’s Gallery; HM An Afternoon in Naples in the Time of Bomba; HM At the Hostelry; HM Herba Santa; HM Journals; HM Pausilippo; Houghton Library (Harvard); Illustrated London News; James (Henry); Lithograph; Louvre (Paris); Melvill (Allan); Melville (Allan); Melville (Frances); Melville (Malcolm); Melville (Stanwix); Metcalf (Eleanor Melville Thomas); Metropolitan Museum of Art (New York); Ostade (Adriaen); Payne (A. H) Royal Dresden Gallery; Read (Samuel); Rembrandt (Woman Taken in Adultery); Reveil / Réveil (Achille Etienne); Rubáiyát of Omar Khayyám; Self Portrait; Smoking; Steen (Jan); Thomas (Frances Melville); Thomas (Henry); Vedder (Elihu); Works of Eminent Masters