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                  <text>Chapter 3 (French Artists)</text>
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                <text>&lt;p&gt;(INT THREE CENTURIES OF FRENCH PAINTING; Fig. 1) -- Veronese. &lt;em&gt;Jupiter Punishing the Vices&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Veronese. &lt;em&gt;Jupiter Punishing the Vices&lt;/em&gt;, 1556. The Louvre, Paris.&lt;/p&gt;</text>
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                <text>The Louvre, Paris, &lt;a href="https://gallerix.org/attr/186164/"&gt;https://gallerix.org/attr/186164/&lt;/a&gt;</text>
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                <text>&lt;p&gt;(INT THREE CENTURIES OF FRENCH PAINTING; Fig. 2) -- Edouard Manet. &lt;em&gt;Boy with a Sword&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Edouard Manet. &lt;em&gt;Boy with a Sword&lt;/em&gt;, oil on canvas, 1861. New York Metropolitan Museum of Art, Gift of Edwin Davis, 1889.&lt;/p&gt;</text>
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                <text>New York Metropolitan Museum of Art, &lt;a href="https://images.metmuseum.org/CRDImages/ep/original/DP-14936-027.jpg"&gt;https://images.metmuseum.org/CRDImages/ep/original/DP-14936-027.jpg&lt;/a&gt;</text>
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                <text>(CAT 121) -- Claude Lorrain. &lt;em&gt;Le Port de mer à la grosse tour&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 121  [Etching by Claude Lorrain. &lt;em&gt;Le Port de mer à la grosse tour (Harbour with a large tower),&lt;/em&gt; c. 1641. Published in &lt;em&gt;A Collection of Original Etchings. &lt;/em&gt;London: J. McCreery, 1816.] &lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 7 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; in. (paper size: 6 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 9 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; in.). Etching. Print has been cut out &amp;amp; pasted on backing paper.  Some staining removed during 2002-03 restoration. COLL: OCSU, item 58, box 2. COMM: Wallace, 2018, no. 4, fig. 4, pp. 91-95.&lt;/p&gt;</text>
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                <text>Osborne Collection of Melville Materials, Southwestern University, Georgetown, Texas.</text>
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        <name>Etching</name>
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        <name>Lorrain (Claude)</name>
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        <name>Maritime subjects</name>
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                <text>(CAT 122) -- Claude Lorrain. &lt;em&gt;Le Campo Vaccino&lt;/em&gt; &lt;em&gt;(The Roman &lt;/em&gt;Forum)</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 122. Etched and drawn by Claude Lorrain. &lt;em&gt;Le Campo Vaccino&lt;/em&gt; &lt;em&gt;(The Roman Forum) &lt;/em&gt;[1636].  Fac-similé d'une eau-forte de Claude Lorrain. [Reprinted from Amand-Durand’s 1875 facsimile edition with line-block technique, 1880s.] &lt;/p&gt;
&lt;p&gt;5 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 7 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; in. Etching reproduced with line-block technique, on verso of sheet with&lt;em&gt; Le Troupeau en marche par un temps D'Orage&lt;/em&gt;. COLL: EBC / CCK. COMM: Wallace, 2000, no. 7, fig. 2, pp. 16-18.&lt;/p&gt;</text>
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                <text>E. Barton Chapin Jr. Family Collection, photo Melville McLean.</text>
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        <name>Ancient Rome</name>
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      <tag tagId="2">
        <name>Animals</name>
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      <tag tagId="24">
        <name>Architecture and Archeology</name>
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      <tag tagId="29">
        <name>Cityscapes</name>
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        <name>Etching</name>
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        <name>HM Journals</name>
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        <name>Landscapes</name>
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                <text>(CAT 123) -- Claude Lorrain. &lt;em&gt;Le Troupeau en marche par un temps D'Orage&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 123. Etched and drawn by Claude Lorrain. &lt;em&gt;Le Troupeau en marche par un temps D'Orage&lt;/em&gt; &lt;em&gt;(The herd returning in stormy weather)&lt;/em&gt; [c. 1650-51]. Fac-similé d'une eau-forte de Claude Lorrain. [Reprinted from Armand-Durand’s 1875 facsimile edition with line-block technique, 1880s.]&lt;/p&gt;
&lt;p&gt;5 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 7 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Etching reproduced with line-block technique, verso of sheet with Le &lt;em&gt;Campo Vaccino&lt;/em&gt;. COLL: EBC / CCK. COMM: Wallace, 2000, no. 8, pp. 16-18.&lt;/p&gt;</text>
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                <text>E. Barton Chapin Jr. Family Collection, photo Melville McLean.</text>
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        <name>Animals</name>
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        <name>French language</name>
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      <tag tagId="278">
        <name>HM Marginalia</name>
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      <tag tagId="274">
        <name>HM Redburn</name>
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        <name>Lorrain (Claude)</name>
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                <text>(CAT 123; Fig. 1) -- Claude Lorrain. &lt;em&gt;The Herdsman&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Claude Lorrain. &lt;em&gt;The Herdsman&lt;/em&gt;. In Melville’s copy of&lt;em&gt; The Works of Eminent Masters&lt;/em&gt;. London: John Cassell, 1854, 1:304. Houghton Library, Harvard University (Sealts no. 154).</text>
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                <text>Houghton Library, Harvard University, AC85 M4977 Zz854w.</text>
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                <text>(CAT 123; Fig 2) -- Richard Earlom after Claude Lorrain. &lt;em&gt;The Piping Shepherd&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Richard Earlom after Claude Lorrain. &lt;em&gt;Landscape with a Piping Shepherd&lt;/em&gt;, No. 11 in the &lt;em&gt;Liber Veritatis&lt;/em&gt;, from the Original Drawing in the Collection of the Duke of Devonshire. London: John Boydell, 1774.&lt;/p&gt;</text>
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                <text>Fogg Museum of Art, Harvard University.</text>
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                <text>(INT CAT 120; Fig. 1) -- Claude Lorrain. &lt;em&gt;Le Port de mer à la grosse tour&lt;/em&gt;. Before restoration</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Claude Lorrain. &lt;em&gt;Le Port de mer à la grosse tour&lt;/em&gt;. Before restoration. Osborne Collection of Melville Materials at Southwestern University, Georgetown, Texas.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Study photo by author in 2002.&lt;/p&gt;</text>
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&lt;p&gt;CAT 124. R. Earlom after Claude Lorrain. [&lt;em&gt;View of a Sea Port during a Sun-set&lt;/em&gt;]. From the Original Drawing in the Collection of the Duke of Devonshire. Published 1 January 1774 by John Boydell. No. 6 [in the &lt;em&gt;Liber Veritatis&lt;/em&gt;]. Ambrose Family Collection.&lt;/p&gt;
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