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                <text>(CAT 135; Fig. 1) Claude Lorrain. &lt;em&gt;Landscape with the Temptation of Christ&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Claude Lorrain. &lt;em&gt;Landscape with the Temptation of Christ&lt;/em&gt;. Pen and brown wash with grey-brown wash, heightened with white, on blue paper, 1676. British Museum.&lt;/p&gt;</text>
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                <text>Trustees of the British Museum, Creative Commons (CC BY-NC-SA 4.0).</text>
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                <text>(CAT 135) R. Earlom after Claude. &lt;em&gt;Landscape—Christ Tempted&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 135. R. Earlom after Claude. [&lt;em&gt;Landscape—Christ Tempted.&lt;/em&gt;] From the Original Drawing in the Collection of R. P. Knight, Esq. No. 15 [in vol. 3 of Earlom's edition of the &lt;em&gt;Liber Veritatis&lt;/em&gt;]. Pub. Jan. 20, 1802 by J &amp;amp; J Boydell, No. 90, Cheapside, and at the Shakespeare Gallery, Pall Mall, London.&lt;/p&gt;
&lt;p&gt;11 x 7 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in.  Etching and mezzotint. Print incorporates Claude's original inscription “Claud fecit. Roma/1676.” COLL: EBC/CK. COMM: Wallace, 2000, no. 5, fig. 1, pp. 13-15.&lt;/p&gt;</text>
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                <text>E. Barton Chapin Jr. Family Collection, photo by Melville McLean.</text>
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        <name>Biblical Subjects</name>
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        <name>Boydell (John). Liber Veritatis (Claude Lorrain)</name>
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        <name>Earlom (Richard)</name>
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        <name>English language</name>
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        <name>Etching</name>
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        <name>HM "After the Pleasure Party"</name>
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      <tag tagId="268">
        <name>HM Clarel</name>
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        <name>Jesus Christ</name>
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        <name>Landscapes</name>
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        <name>Lorrain (Claude)</name>
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                <text>(CAT 134; Fig. 1) Claude Lorrain. &lt;em&gt;Pastoral Landscape with the Flight into Egypt&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Claude Lorrain. &lt;em&gt;Pastoral Landscape with the Flight into Egypt&lt;/em&gt;, 1647. Gemäldegalerie, Dresden, Germany.</text>
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                <text>Gemäldegallerie, Dresden, &lt;a href="http://www.wikigallerie.org/"&gt;http://www.wikigallerie.org/&lt;/a&gt;</text>
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                <text>(CAT 134) W. French after Claude Lorrain. &lt;em&gt;Die Flucht Nach Egypten&lt;/em&gt; / &lt;em&gt;The Flight into Egypt&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 134. W[illiam] French after Claude Lorrain. &lt;em&gt;Die Flucht Nach Egypten&lt;/em&gt; / &lt;em&gt;The Flight into Egypt&lt;/em&gt; [from &lt;em&gt;Pastoral Landscape with the Flight into Egypt&lt;/em&gt;, 1647.] Dresdener Galerie. [Engraved for &lt;em&gt;Payne’s Royal Dresden Gallery&lt;/em&gt;, 1845, vol. 1: 120.]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 6 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; in. Steel engraving. COLL: MC. COMM: Wallace, 2000a, no. 4 (fig. 4), pp. 19-20.&lt;/p&gt;</text>
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                <text>Melville Chapin Collection, photo by Harvard Library Services.</text>
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        <name>Floyd (William)</name>
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                <text>(CAT 133) F. Joubert after Claude Lorrain. &lt;em&gt;Pastoral Landscape&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 133. Drawn and etched by F. Joubert after Claude Lorrain. [&lt;em&gt;Pastoral Landscape&lt;/em&gt;.] London: James Carpenter &amp;amp; Son, Old Bond Street, 1835. Published in the &lt;em&gt;Collection of Pictures of W. G. Coesvelt&lt;/em&gt;, London, 1836.&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; x 6 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Etching. COLL: MC. COMM: Wallace, 2000a, no. 7 (fig. 7), p. 22.&lt;/p&gt;</text>
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                <text>Melville Chapin Collection, photo by Harvard Imaging Services.</text>
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        <name>HM Moby-Dick</name>
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                <text>(CAT 132; Fig. 1) Claude Lorrain. &lt;em&gt;A Pastoral Landscape&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Claude Lorrain. &lt;em&gt;A Pastoral Landscape, &lt;/em&gt;oil on canvas, 1645. The Barber Institute of Fine Arts, Birmingham University, Birmingham UK.&lt;/p&gt;</text>
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                <text>The Barber Institute of Fine Arts, Birmingham University, Birmingham UK, &lt;a href="https://barber.org.uk/claude-gellee-called-claude-lorrain-about-16045-1682/"&gt;https://barber.org.uk/claude-gellee-called-claude-lorrain-about-16045-1682/&lt;/a&gt;</text>
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                <text>(CAT 132) Feradiny after Claude Lorrain. &lt;em&gt;Le Berger Galant (A Pastoral Landscape)&lt;br /&gt;&lt;/em&gt;</text>
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&lt;p&gt;CAT 132. Feradiny after Cl[aude] Lorrain. &lt;em&gt;Le Berger Galant&lt;/em&gt; [&lt;em&gt;A Pastoral Landscape&lt;/em&gt;, 1645]. Peint par Claude Lorrain de meme grandeur. Paris: Mondhard, rue St. Jacques a S. Jacques. [Eighteenth century.]&lt;/p&gt;
&lt;p&gt;9 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 13 &lt;sup&gt;11&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. Copper engraving. ANN: “Claude” (in blue crayon) and “nr. 1919.” front, “Cl. L” and “Claude Lorrain” verso. Print quite worn, had been folded through center. COLL: EBC/CK. COMM: Wallace, 2000, no. 4 (plate 1), pp. 6, 12-13.&lt;/p&gt;</text>
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                <text>E. Barton Chapin Jr. Family Collection, photo Melville McLean.</text>
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                <text>(CAT 131; Fig. 5) J. M. W. Turner. &lt;em&gt;Europa and the Bull&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
J. M. W. Turner. &lt;em&gt;Europa and the Bull&lt;/em&gt;, oil on canvas, c. 1840-1850. Taft Museum of Art, Cincinnati, Ohio.</text>
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                <text>&lt;p&gt;Taft Museum of Art, &lt;a href="https://www.taftmuseum.org/blog/posts/2018/december/j-m-w-turner-s-europa-and-the-bull-telling-a-story-with-light-and-atmosphere"&gt;https://www.taftmuseum.org/blog/posts/2018/december/j-m-w-turner-s-europa-and-the-bull-telling-a-story-with-light-and-atmosphere&lt;/a&gt;&lt;/p&gt;</text>
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        <src>https://melvillesprintcollection.org/files/original/c881a6648059046073f5012dd2e833f5.jpg</src>
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              <name>Title</name>
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                  <text>Chapter 3: French Artists</text>
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          <element elementId="50">
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              <elementText elementTextId="959">
                <text>(CAT 131; Fig. 4) J. M. W. Turner and J. C. Easling. Frontispiece to &lt;em&gt;The Liber Studiorum&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
J. M. W. Turner and J. C. Easling. Frontispiece to &lt;em&gt;The Liber Studiorum&lt;/em&gt;, etching printed in brown ink with watercolor additions, c. 1810-11. Published with the first four parts of &lt;em&gt;The Liber Studiorum&lt;/em&gt; in 1812. Tate Gallery London.</text>
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                <text>&lt;p&gt;Tate Gallery London, Creative Commons CC-BY-NC-ND (3.0 Unported).&lt;/p&gt;</text>
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        <src>https://melvillesprintcollection.org/files/original/9b0c6a5c944ef6ce502ce335afd7f1de.jpg</src>
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                  <text>Chapter 3: French Artists</text>
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                <text>(CAT 131; Fig. 3) Rubens after Titian. &lt;em&gt;The Rape of Europa&lt;br /&gt;&lt;/em&gt;</text>
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              <elementText elementTextId="989">
                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Jean Paul Rubens after Titian. &lt;em&gt;The Rape of Europa&lt;/em&gt;, oil on canvas, 1628-29. Prado Museum, Madrid.&lt;/p&gt;</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="965">
                <text>&lt;p&gt;Prado Museum, Madrid, &lt;a href="https://www.museodelprado.es/en/the-collection/art-work/the-rape-of-europe/a136a9c4-3a2f-44bd-ab8a-97fd47c30d7e"&gt;https://www.museodelprado.es/en/the-collection/art-work/the-rape-of-europe/a136a9c4-3a2f-44bd-ab8a-97fd47c30d7e&lt;/a&gt;&lt;/p&gt;</text>
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