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                <text>&lt;p&gt;(CAT 143; Fig. 1) Nicolas Poussin. &lt;em&gt;Landscape with Travellers Resting, &lt;/em&gt;also known as &lt;em&gt;A Roman Road&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Nicolas Poussin. &lt;em&gt;Landscape with Travellers Resting, &lt;/em&gt;also known as &lt;em&gt;A Roman Road,&lt;/em&gt; oil on canvas, 1648. Dulwich Picture Gallery, London.</text>
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                <text>&lt;p&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/3/3b/Nicolas_Poussin_-_A_Roman_Road_-_WGA18328.jpg"&gt;https://upload.wikimedia.org/wikipedia/commons/3/3b/Nicolas_Poussin_-_A_Roman_Road_-_WGA18328.jpg&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Chapter 3: French Artists</text>
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                <text>(CAT 143) Pether after N. Poussin. &lt;em&gt;Landscape with a Man washing his Feet at a Fountain&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 143. W. Pether after N. Poussin. [From the painting &lt;em&gt;Landscape with a Man washing his Feet at a Fountain&lt;/em&gt;, 1648.] Published May 1, 1786 by W. Pether, No. 12 Frith St., Soho [London]. &lt;/p&gt;
&lt;p&gt;18 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; x 24 in. Mezzotint. ANN: in pencil, partially erased: “Collection [illegible].” FRAMED: wooden frame in golden oak; label on back from D. B Butler Art Store; Picture Frame Manufacturer; 398 Fourth Avenue; Btw 27&lt;sup&gt;th&lt;/sup&gt; &amp;amp; 28&lt;sup&gt;th&lt;/sup&gt; Sts, New York. COLL: EBC. COMM: Wallace, 2001, no. 1, pl. 2, pp. 7, 11-12.&lt;/p&gt;</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>E. Barton Chapin Jr. Family Collection, photo Melville McLean.</text>
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        <name>Ancient Greece</name>
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        <name>Copper engraving</name>
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        <name>E. Barton Chapin Jr. Family Collection</name>
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        <name>English language</name>
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      <tag tagId="314">
        <name>HM "On the Slain Collegians"</name>
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        <name>HM Marginalia</name>
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        <name>Pether (W)</name>
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                <text>(CAT 142; Fig. 3) Peter Toft. &lt;em&gt;The Holy Palm of Mar Saba&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Peter Toth. &lt;em&gt;The Holy Palm, Mara Saba, Palestine&lt;/em&gt;, brush and ink on paper, 1882. Gift from the artist to Herman Melville, 1886. Melville Memorial Room, Berkshire Athenaeum.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;p&gt;Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>(CAT 142; Fig. 2) Melville’s copy of S. Bradshaw’s steel engraving of Thomas Allom’s &lt;em&gt;The Monastery of Santa Saba&lt;/em&gt;, 1838</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
S. Bradshaw after Thomas Allom. &lt;em&gt;The Monastery of Santa Saba&lt;/em&gt;. In &lt;em&gt;Syria, the Holy Land, Asia Minor, &amp;amp;c. illustrated&lt;/em&gt;, vol. 3. London &amp;amp; Paris: Fisher, Son &amp;amp; Co., 1838.</text>
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                <text>&lt;p&gt;Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>(CAT 142; Fig. 1) Nicolas Poussin. &lt;em&gt;Et in Arcadia Ego&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Nicolas Poussin. &lt;em&gt;Et in Arcadia Ego&lt;/em&gt;, oil on canvas, early 1640s. The Louvre, Paris.</text>
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                <text>&lt;a href="https://en.wikipedia.org/wiki/Et_in_Arcadia_ego"&gt;https://en.wikipedia.org/wiki/Et_in_Arcadia_ego&lt;/a&gt;</text>
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                <text>(CAT 142) F. F. Walker after Nicolas Poussin. &lt;em&gt;The Shepherds of Arcadia&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 142. F. F. Walker after Nicolas Poussin. &lt;em&gt;The Shepherds of Arcadia&lt;/em&gt;. The Picture in the Gallery of the Louvre [Also known as &lt;em&gt;Et in Arcadia Ego&lt;/em&gt;, early 1640s. Engraved for S. C. Hall’s &lt;em&gt;Gems of European Art&lt;/em&gt;, 1846.]&lt;/p&gt;
&lt;p&gt;8 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 6 &lt;sup&gt;13&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. Steel engraving.  FRAMED: Wooden frame in golden oak. COLL: BA, “Gift of Mrs. Henry K. Metcalf.” COMM: Bryant, 2: 866-67; Wallace, 1986, p. 86.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.]</text>
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        <name>Architecture and Archeology</name>
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      <tag tagId="111">
        <name>Burial Ground</name>
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      <tag tagId="17">
        <name>English language</name>
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      <tag tagId="185">
        <name>Gems of European Art</name>
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      <tag tagId="271">
        <name>HM Moby-Dick</name>
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      <tag tagId="27">
        <name>Landscapes</name>
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      <tag tagId="134">
        <name>Prints in Frame (HM)</name>
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        <name>Shepherds</name>
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        <name>Steel engraving</name>
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        <name>Walker (F.F.)</name>
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            <description>A name given to the resource</description>
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                <text>(INT CAT 142) Nicolas Poussin. &lt;em&gt;Blind Orion Searching for the Rising Sun&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Nicolas Poussin. &lt;em&gt;Blind Orion Searching for the Rising Sun&lt;/em&gt;, oil on canvas, 1658. Acquired by the Metropolitan Museum of Art, New York, 1924.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;p&gt;&lt;a href="https://www.metmuseum.org/art/collection/search/437326"&gt;https://www.metmuseum.org/art/collection/search/437326&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 141; Fig. 1) Nicolas Poussin. &lt;em&gt;Two Hermits in a Landscape (The Temptation of Christ?)&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Nicolas Poussin. &lt;em&gt;Two Hermits in a Landscape (The Temptation of Christ?), &lt;/em&gt;pen and brown ink over black chalk, 1660. State Hermitage Museum, St. Petersburg, Russia.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;p&gt;&lt;a href="https://www.google.com/books/edition/Poussin_and_Nature/CEljdrnhNnYC?hl=en&amp;amp;gbpv=1&amp;amp;bsq=Two%20Hermits"&gt;https://www.google.com/books/edition/Poussin_and_Nature/CEljdrnhNnYC?hl=en&amp;amp;gbpv=1&amp;amp;bsq=Two%20Hermits&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Chapter 3: French Artists</text>
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                <text>(CAT 141) T. L. Busby after Nicolas Poussin. &lt;em&gt;St. Peter &amp;amp; St. John Curing the Lame&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;T. L. Busby after [N.] Poussin. &lt;em&gt;St. Peter &amp;amp; St. John Curing the Lame&lt;/em&gt;. [From the 1655 oil painting, Metropolitan Museum, New York.] London: Vernor, Hood &amp;amp; Sharpe, 1809. [&lt;em&gt;Historic Gallery&lt;/em&gt;, vol. 6, 1810.]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 5 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Copper engraving. COLL: BA 124. COMM: Wallace, 1986, p. 76.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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      <tag tagId="31">
        <name>Biblical Subjects</name>
      </tag>
      <tag tagId="181">
        <name>Busby (T.L.)</name>
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      <tag tagId="29">
        <name>Cityscapes</name>
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      <tag tagId="14">
        <name>Copper engraving</name>
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      <tag tagId="17">
        <name>English language</name>
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      <tag tagId="183">
        <name>Healing scenes</name>
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      <tag tagId="23">
        <name>Historic Gallery of Portraits and Paintings (1807-12)</name>
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      <tag tagId="222">
        <name>Miracles</name>
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        <name>Poussin (Nicolas)</name>
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        <name>Saints</name>
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                <text>(CAT 140; Fig. 1) Nicolas Poussin. &lt;em&gt;The Exposition of Moses&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Nicolas Poussin. &lt;em&gt;The Exposition of Moses&lt;/em&gt;, oil on canvas, 1654. Ashmolean Museum, Oxford University, UK.</text>
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                <text>&lt;p&gt;&lt;a href="https://collections.ashmolean.org/collection/browse-9148/object/48747"&gt;https://collections.ashmolean.org/collection/browse-9148/object/48747&lt;/a&gt;&lt;/p&gt;</text>
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