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                <text>(CAT 100) -- &lt;span&gt;R&lt;/span&gt;&lt;span&gt;é&lt;/span&gt;&lt;span&gt;veil &lt;/span&gt;after Flaxman. &lt;em&gt;Le Dante près de quitter le cercle des âmes colères, sent comme un battement d’ailes qui vient le rafraîchir&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 100. Reveil after Flaxman. &lt;em&gt;Le Dante près de quitter le cercle des âmes colères, sent comme un battement d’ailes qui vient le rafraîchir.&lt;/em&gt; Plate 21, from &lt;em&gt;Purgatoire,&lt;/em&gt; canto 17. [In &lt;em&gt;Purgatoire du Dante&lt;/em&gt; (Paris: Audot, 1833). Title in 1807 English edition: &lt;em&gt;The Choir.&lt;/em&gt; Poetic fragment: “&lt;span style="font-size:13px;"&gt;WHEN A SOFT BREEZE, AS FROM AN HEAV’NLY WING, / SUDDEN UPON MY VISAGE SEEM’D TO PLAY&lt;/span&gt;.”]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 6 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Line engraving. COLL: BA 7. COMM: Wallace 1986, p. 73.&lt;/p&gt;</text>
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                <text>(CAT 101) -- &lt;span&gt;R&lt;/span&gt;&lt;span&gt;é&lt;/span&gt;&lt;span&gt;veil &lt;/span&gt;after Flaxman. &lt;em&gt;Un foule de justes, coupables de négligence pendant leur vie, arrivent en toute hâte près du Dante et de Virgile&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 101. Reveil after Flaxman. &lt;em&gt;Un foule de justes, coupables de négligence pendant leur vie, arrivent en toute hâte près du Dante et de Virgile.&lt;/em&gt; Plate 22, from &lt;em&gt;Purgatoire,&lt;/em&gt; canto 18. [In &lt;em&gt;Purgatoire du Dante&lt;/em&gt; (Paris: Audot, 1833). Title in 1807 English edition: &lt;em&gt;The Region of Selfishness&lt;/em&gt;; poetic fragment: “&lt;span style="font-size:13px;"&gt;LIKE FLYING VAPOURS, STETCHING FROM THE VAN / TWO HERALD GHOSTS THEIR ANCIENT SLOTH BEWAIL’D&lt;/span&gt;.”]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 6 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. Line engraving. COLL: BA 8. COMM: Wallace 1986, p. 73.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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                <text>(CAT 102) -- &lt;span&gt;R&lt;/span&gt;&lt;span&gt;é&lt;/span&gt;&lt;span&gt;veil &lt;/span&gt;after Flaxman. &lt;em&gt;Les âmes avares expient dans las poussière et les larmes leurs fautes passées&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 102. Reveil after Flaxman. &lt;em&gt;Les âmes avares expient dans las poussière et les larmes leurs fautes passées.&lt;/em&gt; Plate 23, from &lt;em&gt;Purgatoire,&lt;/em&gt; canto 19. [In &lt;em&gt;Purgatoire du Dante&lt;/em&gt; (Paris: Audot, 1833. Title in 1807 English edition: &lt;em&gt;Region of Avarice&lt;/em&gt;; poetic fragment: “&lt;span style="font-size:13px;"&gt;THERE, ALL EXTENDED ON THE RUGGED STONES.&lt;/span&gt;”]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 6 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Line engraving. COLL: BA 9. COMM: Wallace 1986, p. 73.&lt;/p&gt;</text>
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                <text>(CAT 103 Intro Fig. 1)-- Lucy Baxter's &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;</text>
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                <text>(CAT 103 Intro Fig. 2) -- Lucy Baxter's &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;</text>
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                <text>(CAT 103; Fig. 1) -- Church of La Santa Croce, Florence.</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Church of La Santa Croce, Florence. Begun &lt;span style="font-size:13px;"&gt;A.D.&lt;/span&gt; 294. Completed &lt;span style="font-size:13px;"&gt;A.D.&lt;/span&gt; 1441. In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy.&lt;/em&gt; New York: Scribner and Welford, 1883, p. 99 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>Geisel Library, Saint Anselm College, photo by author.</text>
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                <text>(CAT 103) -- George Cooke. &lt;em&gt;Machiavelli&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 103. G[eorge] Cooke after N________.  &lt;em&gt;Machiavelli&lt;/em&gt;. London: Vernor, Hood, &amp;amp; Sharpe, 1807 [&lt;em&gt;Historic Gallery&lt;/em&gt; &lt;em&gt;of Portraits and Paintings,&lt;/em&gt; vol. 1 (1807): 154-60]&lt;/p&gt;
&lt;p&gt;3 &lt;sup&gt;11&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 2 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; in. Copper engraving. COLL: BA, 91. COMM: Wallace, 1986, p. 74.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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                <text>(CAT 104) -- Hart after Morghen. &lt;em&gt;Ariosto&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 104  Engraved by Robt. Hart from a Print by Raffaelle Morghen [after a drawing by Pietro Ermini]. &lt;em&gt;Ariosto&lt;/em&gt;. Under the Superintendance of the Society for the Diffusion of Useful Knowledge. [In &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Imperial Dictionary of Universal Biography&lt;/em&gt;, 3 vol. London: William Mackenzie, 1863. 1: 209-11.]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;15&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 3 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Engraving, etching, and stipple. COLL: BA 213. COMM: Wallace, 1986, p. 84.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>HM "After the Pleasure Party"</name>
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        <name>HM "The Cuban Pirate"</name>
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                <text>(CAT 105) -- Hart after Morghen. &lt;em&gt;Tasso&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 105. Engraved by Robt. Hart from a Print by Raffaelle Morghen [after a drawing by Pietro Ermini]. &lt;em&gt;Tasso&lt;/em&gt;. Under the Superintendance of the Society for the Diffusion of Useful Knowledge. [In &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Imperial Dictionary of Universal Biography&lt;/em&gt;, 3 vol. London: William Mackenzie, 1863. 3:825.]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 3 &lt;sup&gt;11&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. Engraving, etching, and stipple. COLL: BA 212. COMM: Wallace, 1986, p. 82.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>HM "Statues in Rome"</name>
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                <text>(CAT 106; Fig. 1) -- Francia’s &lt;em&gt;Marriage&lt;/em&gt; on cover of 2003 Bologna booklet</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Reproduction of Francia’s &lt;em&gt;Marriage of Cecelia and Valerian&lt;/em&gt; on cover of Eros Stivani, &lt;em&gt;The Oratory of Saint Cecelia&lt;/em&gt;, published in Bologna in 2003.</text>
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