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                  <text>Chapter 2: Ancient Rome to Modern Italy</text>
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                <text>(INT Italian Renaissance Artists; Fig. 3) Unmarked fold-out map in 1852 edition of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Unmarked fold-out map in 1852 edition of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Tulane University—Howard-Tilton Memorial Library, photo by author.</text>
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                <text>(CAT 108; Fig. 7) Raphael.&lt;em&gt; School of Athens&lt;/em&gt; at the Vatican</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Raphael. &lt;em&gt;School of Athens &lt;/em&gt;in &lt;em&gt;Stanza della Signatura, the Vatican, Rome&lt;/em&gt;. In Lucy Baxter. &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 270.&lt;/p&gt;</text>
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                <text>Geisel Library, Saint Anselm College, photo by author.</text>
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                <text>(CAT 108; Fig. 6) Lightfoot after Raphael. &lt;em&gt;Madonna and Child (della Casa Colona)&lt;/em&gt;</text>
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&lt;p&gt;Peter Lightfoot after Raphael. &lt;em&gt;Madonna and Child (della Casa Colona). &lt;/em&gt;Frontispiece in Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883.&lt;/p&gt;</text>
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                <text>Geisel Library, Saint Anselm College, photo by author.</text>
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                <text>(CAT 109; Fig. 6) Titian. &lt;em&gt;Portrait of Giorgio Cornaro the Younger with a Falcon&lt;/em&gt;</text>
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&lt;p&gt;Titian. &lt;em&gt;Portrait of Giorgio Cornaro the Younger with a Falcon&lt;/em&gt;, oil on canvas, 1537. Joslyn Art Museum, Omaha Nebraska.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Wikimedia Commons: &lt;a href="https://commons.wikimedia.org/wiki/File:Tiziano,_uomo_col_falcone.jpg"&gt;https://commons.wikimedia.org/wiki/File:Tiziano,_uomo_col_falcone.jpg&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 109; Fig. 5) Titian. &lt;em&gt;The Assumption of the Virgin&lt;/em&gt;</text>
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&lt;p&gt;Titian. &lt;em&gt;The Assumption of the Virgin&lt;/em&gt;. In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 282 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>&lt;p&gt;Geisel Library, Saint Anselm College, photo by author.&lt;/p&gt;</text>
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                <text>&lt;p&gt;(CAT 109; Fig. 4) Titian. &lt;em&gt;Portrait of a Lady (“Bella Donna”)&lt;/em&gt;&lt;/p&gt;</text>
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&lt;p&gt;Titian. &lt;em&gt;Portrait of a Lady (“Bella Donna”), o&lt;/em&gt;il on canvas, 1536-38. Pitti Palace, Florence.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Wikimedia Commons: &lt;a href="https://creativecommons.org/licenses/by-sa/3.0/"&gt;https://creativecommons.org/licenses/by-sa/3.0/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;(CAT 109; Fig. 3) Titian. &lt;em&gt;Venus of Urbino&lt;/em&gt;&lt;/p&gt;</text>
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&lt;p&gt;Titian. &lt;em&gt;Venus of Urbino&lt;/em&gt;, oil on canvas, 1836. Uffizi Gallery, Florence.&lt;/p&gt;</text>
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                <text>(CAT 109; Fig. 2) Titian. &lt;em&gt;Noli me Tangere&lt;/em&gt;</text>
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&lt;p&gt;Titian. &lt;em&gt;Noli me Tangere&lt;/em&gt;, oil on canvas, c. 1514. National Gallery London.  From the collection of Samuel Rogers.&lt;/p&gt;</text>
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                <text>&lt;p&gt;National Gallery London, &lt;a href="https://www.nationalgallery.org.uk/paintings/titian-noli-me-tangere"&gt;https://www.nationalgallery.org.uk/paintings/titian-noli-me-tangere&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 109; Fig. 1) Titian, &lt;em&gt;Scene in the Cadore Country&lt;/em&gt;</text>
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&lt;p&gt;Titian. &lt;em&gt;Scene in the Cadore Country&lt;/em&gt;. From the drawjng in the collection of the Pitti Palace, Florence. In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 282 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>&lt;p&gt;Geisel Library, Saint Anselm College, photo by author.&lt;/p&gt;</text>
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                <text>(CAT 109) Linnell after Titian. &lt;em&gt;Landscape, with Herdsmen&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 109. J. Linnell after Titian. &lt;em&gt;Landscape, with Herdsmen&lt;/em&gt;. [Published in &lt;em&gt;The Royal Gallery of Pictures&lt;/em&gt;, 1840, from the painting at Buckingham Palace.]&lt;/p&gt;
&lt;p&gt;7 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 6 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. Mezzotint. ANN verso: “K. G. T.” COLL: BA 237. COMM: Wallace, 1986, p. 80.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.&lt;/p&gt;</text>
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