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                  <text>Chapter 2: Ancient Rome to Modern Italy</text>
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                <text>&lt;p&gt;(PT Italian Renaissance Artists; Fig. 1) Three Pisan buildings in Baxter&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;&lt;em&gt;Cathedral, Baptistery, and Campanile&lt;/em&gt;. In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 21 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>Geisel Library, Saint Anselm College, photo by author.</text>
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                <text>(CAT 109; Fig. 9) Titian. &lt;em&gt;The Vandremin Family&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Titian. &lt;em&gt;The &lt;/em&gt;Vandremin&lt;em&gt; Family&lt;/em&gt;, c. 1840-45. National Gallery London.&lt;/p&gt;</text>
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                <text>&lt;p&gt;National Gallery London, &lt;a href="https://www.nationalgallery.org.uk/paintings/titian-the-vendramin-family"&gt;https://www.nationalgallery.org.uk/paintings/titian-the-vendramin-family&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 109; Fig. 8) Veronese. &lt;em&gt;Allegory of the Battle of Lepanto&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Veronese. &lt;em&gt;Allegory of the Battle of Lepanto&lt;/em&gt;, c. 1572. Gallerie dell’Accademia, Venice.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Wikimedia Commons: &lt;a href="https://commons.wikimedia.org/wiki/File:The_Battle_of_Lepanto_by_Paolo_Veronese.jpeg"&gt;https://commons.wikimedia.org/wiki/File:The_Battle_of_Lepanto_by_Paolo_Veronese.jpeg&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 109; Fig. 7) Terra cotta sculpture of Admiral Giorgio Cornaro</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Terra cotta sculpture of Admiral Giorgio Cornaro. Piombino Dese, Italy.&lt;/p&gt;</text>
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                <text>Geni.com: &lt;a href="http://www.boglewood.com/cornaro/xh4.html"&gt;http://www.boglewood.com/cornaro/xh4.html&lt;/a&gt;</text>
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                <text>&lt;p&gt;(INT Italian Renaissance Artists; Fig. 11) Linnell. &lt;em&gt;Samuel Rogers&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;John Linnell, &lt;em&gt;Samuel Rogers&lt;/em&gt;, oil on wood, c. 1832-33. Tate Gallery, London.&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://www.tate.org.uk/art/artworks/linnell-samuel-rogers-n05117"&gt;https://www.tate.org.uk/art/artworks/linnell-samuel-rogers-n05117&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(INT Italian Renaissance Artists; Fig. 10) Miller after Turner. &lt;em&gt;Venice (The Rialto—Moonlight)&lt;br /&gt;&lt;/em&gt;</text>
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&lt;p&gt;W. Miller after J. M. W. Turner. &lt;em&gt;Venice (The Rialto—Moonlight). &lt;/em&gt;For Samuel Rogers, &lt;em&gt;Poems&lt;/em&gt;. London: Cadell and Moxon, 1834. Tate Gallery, London.&lt;/p&gt;</text>
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                <text>&lt;a href="https://www.tate.org.uk/art/artworks/turner-venice-engraved-by-w-miller-t06645"&gt;https://www.tate.org.uk/art/artworks/turner-venice-engraved-by-w-miller-t06645&lt;/a&gt;</text>
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                <text>(INT Italian Renaissance Artists; Fig. 9) Wallis after Turner. &lt;em&gt;Rome (Castle of St. Angelo)&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
R. Wallis after J. M. W. Turner. &lt;em&gt;Rome (Castle of St. Angelo).&lt;/em&gt; Steel engraving in Samuel Rogers, &lt;em&gt;Italy: A Poem&lt;/em&gt;. London: Cadell and Moxon, 1830, p. 158.</text>
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                <text>Indiana University Libraries, photo by author.</text>
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                <text>(INT Italian Renaissance Artists; Fig. 6) The path Melville followed from Venice to Genoa to Switzerland in April 1857</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Detail of unmarked fold-out map in 1852 edition of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; with digital enhancement showing path Melville traveled from Venice to Genoa via Milan and Turin and from Genoa into Switzerland via Lake Maggiore in April 1857 (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Tulane University—Howard-Tilton Memorial Library, digitally enhanced.</text>
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                <text>(INT Italian Renaissance Artists; Fig. 5) The path Melville followed from Florence to Venice in late March 1857</text>
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&lt;p&gt;Detail of unmarked fold-out map in 1852 edition of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; with digital enhancement showing path Melville traveled from Florence to Venice via Bologna, Ferrara, and Padua in late March 1857 (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Tulane University—Howard-Tilton Memorial Library, digitally enhanced.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="451">
                <text>(INT Italian Renaissance Artists; Fig. 4) Melville’s path up the coastline from Naples to Rome and on to Florence</text>
              </elementText>
              <elementText elementTextId="483">
                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Detail of unmarked fold-out map in 1852 edition of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; with digital enhancement showing path Melville traveled from Naples to Florence in February and March 1857.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="484">
                <text>Tulane University—Howard-Tilton Memorial Library, digitally enhanced.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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