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                  <text>Chapter 2: Ancient Rome to Modern Italy</text>
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                <text>(INT Italian Renaissance Artists; Fig. 7) Melville’s annotations on back of fold-out map in &lt;em&gt;Travels in Italy&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Melville’s annotations on back of fold-out map in his copy of &lt;em&gt;Travels in Italy&lt;/em&gt;, referring to specific passages in the Pisa and Parma sections of Valery’s text: “410 chain &amp;amp;c” (p. 410); “282 Corregio—Chamber, figures in ovals in trellis-work” (p. 282; Sealts no. 533).&lt;/p&gt;</text>
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                <text>Courtesy of Gansevoort-Lansing Collection. Manuscripts and Archives Division. New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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                <text>(INT Italian Renaissance Artists; Fig. 2) Fold-out map (with markings in color added) in Melville’s copy of &lt;em&gt;Travels in Italy&lt;/em&gt;&lt;em&gt;&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Fold-out map in copy of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; Melville acquired in Florence in 1857, with boundaries between independent states marked in color (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Courtesy of Gansevoort-Lansing Collection. Manuscripts and Archives Division. New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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                <text>(PT Italian Renaissance Artists; Fig. 9) Turner. &lt;em&gt;The Fighting Temeraire&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
J. M. W. Turner. &lt;em&gt;The Fighting Temeraire &lt;/em&gt;&lt;em&gt;being towed to her last berth, 1838&lt;/em&gt;, oil on canvas, 1839. Accepted as part of the Turner Bequest by the National Gallery in 1856.</text>
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                <text>&lt;p&gt;National Gallery London, &lt;a href="https://www.nationalgallery.org.uk/paintings/joseph-mallord-william-turner-the-fighting-temeraire"&gt;https://www.nationalgallery.org.uk/paintings/joseph-mallord-william-turner-the-fighting-temeraire&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;(PT Italian Renaissance Artists; Fig. 8) Turner. &lt;em&gt;Venice, for Rogers’s Italy&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
J. M. W. Turner. &lt;em&gt;Venice, for Rogers’s Italy&lt;/em&gt;, watercolor and pencil on paper, 9 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; x 12 inches, c. 1826-27. Tate Gallery, accepted by the nation as part of the Turner Bequest 1856.</text>
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                <text>Tate Gallery London, &lt;a href="https://www.tate.org.uk/art/artworks/turner-venice-for-rogerss-italy-d27710"&gt;https://www.tate.org.uk/art/artworks/turner-venice-for-rogerss-italy-d27710&lt;/a&gt;</text>
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                <text>(PT Italian Renaissance Artists; Fig. 7) Miller after Turner. &lt;em&gt;Venice (The Rialto—Moonlight)&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;W. Miller after J. M. W. Turner&lt;em&gt;. Venice (The Rialto—Moonlight). &lt;/em&gt;Vignette from Samuel Rogers’s &lt;em&gt;Poems,&lt;/em&gt; 1834, reproduced on cover of Melville’s copy of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Courtesy of Gansevoort Lansing Collection. Manuscripts and Archives Division. The New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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                <text>(PT Italian Renaissance Artists; Fig. 6) Turner. &lt;em&gt;The Dogano, San Giorgio, Citella, from the Steps of the Europa&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;J. M. W. Turner. &lt;em&gt;The Dogano, San Giorgio, Citella, from the Steps of the Europa,&lt;/em&gt; oil on canvas, 1842. Given by Robert Vernon to the National Gallery 1847, transferred to the Tate Gallery 1949.&lt;/p&gt;</text>
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                <text>Tate Gallery London, &lt;a href="https://www.tate.org.uk/art/artworks/turner-the-dogano-san-giorgio-citella-from-the-steps-of-the-europa-n00372"&gt;https://www.tate.org.uk/art/artworks/turner-the-dogano-san-giorgio-citella-from-the-steps-of-the-europa-n00372&lt;/a&gt;</text>
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                <text>(PT Italian Renaissance Artists; Fig. 5) &lt;em&gt;Basilica de San Marco, Venice&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Basilica de San Marco, Venice. &lt;/em&gt;In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 14 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>Geisel Library, Saint Anselm College, photo by author.</text>
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                <text>&lt;p&gt;(PT Italian Renaissance Artists; Fig. 3) &lt;em&gt;Church of Santa Maria Della Spina&lt;/em&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Church of Santa Maria Della Spina.&lt;/em&gt; In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 30 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>Geisel Library, Saint Anselm College, photo by author.</text>
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                <text>&lt;p&gt;(PT Italian Renaissance Artists Fig. 4) Goodall after Turner. &lt;em&gt;Venice&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;E. Goodall after J. M. W. Turner. &lt;em&gt;Venice,&lt;/em&gt; second published state, 2 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 3 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; inches, for Samuel Rogers,&lt;em&gt; Italy&lt;/em&gt;, 1830. Tate Gallery, London.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Tate Gallery London, &lt;a href="https://www.tate.org.uk/art/artworks/turner-venice-t04646"&gt;https://www.tate.org.uk/art/artworks/turner-venice-t04646&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Chapter 2: Ancient Rome to Modern Italy</text>
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                <text>&lt;p&gt;(PT Italian Renaissance Artists; Fig. 2) Finden after Turner. &lt;em&gt;S&lt;sup&gt;ta&lt;/sup&gt; Maria della Spina&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
E. Finden after J. M. W. Turner after W. Page. &lt;em&gt;S&lt;sup&gt;ta&lt;/sup&gt; Maria della Spina.&lt;/em&gt; Frontispiece in volume 5 of Melville’s copy of the Thomas Moore, &lt;em&gt;Life of Lord Byron&lt;/em&gt;. Boston: Little, Brown, c. 1851. Houghton Library, Harvard University, AC85 M4992 Zz853 (Sealts no. 369).</text>
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                <text>Courtesy of Houghton Library, Harvard University. </text>
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