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                  <text>Chapter 2: Ancient Rome to Modern Italy</text>
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                <text>(CAT 106; Fig. 1) Francia’s &lt;em&gt;Marriage&lt;/em&gt; on cover of 2003 Bologna booklet</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Reproduction of Francia’s &lt;em&gt;Marriage of Cecelia and Valerian&lt;/em&gt; on cover of Eros Stivani, &lt;em&gt;The Oratory of Saint Cecelia&lt;/em&gt;, published in Bologna in 2003.</text>
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                <text>Courtesy of Eros Stivani.</text>
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                <text>(CAT 110; Fig. 8) Mandel after Titian. &lt;em&gt;La Bella&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Eduard Mandel after Reinold Mandel after Titian. &lt;em&gt;La Bella&lt;/em&gt;. From the 1536 painting in the Pitti Gallery, Florence. Berlin: E. H. Schroeder, 1868.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Courtesy of Berlin State Museum.&lt;/p&gt;</text>
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                <text>(CAT 110; Fig. 6) Turner&lt;em&gt;. Genoa from the Sea&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;J. M. W. Turner&lt;em&gt;. Genoa from the Sea&lt;/em&gt;, watercolor, gouache and pen and ink on paper, c. 1828-38. Accepted by the nation as part of the Turner Bequest 1856. Tate Gallery London.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Tate Gallery London, &lt;a href="https://www.tate.org.uk/art/artworks/turner-genoa-from-the-sea-d24778"&gt;https://www.tate.org.uk/art/artworks/turner-genoa-from-the-sea-d24778&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 110; Fig. 4) &lt;em&gt;Samuel Rogers’s breakfast room,&lt;/em&gt; St. James Place, London</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;&lt;em&gt;Samuel Rogers’s breakfast room&lt;/em&gt;&lt;em&gt;,&lt;/em&gt; St. James Place, London. &lt;em&gt;Illustrated London News&lt;/em&gt;, January 5, 1856.&lt;/p&gt;</text>
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                <text>Photo by author.</text>
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                <text>(CAT 110; Fig. 3) Veronese, &lt;em&gt;The Feast in the House of the Simon the Pharisee&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Veronese, &lt;em&gt;The Feast in the House of the Simon the Pharisee&lt;/em&gt;, c. 1560. Sabaudo Gallery, Turin, Italy.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Wikimedia Commons: &lt;a href="https://commons.wikimedia.org/wiki/Template:PD-Art"&gt;https://commons.wikimedia.org/wiki/Template:PD-Art&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;(CAT 110; Fig. 2) Veronese. &lt;em&gt;Feast in the House of Levi&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Veronese. &lt;em&gt;Feast in the House of Levi&lt;/em&gt;. In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 360 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>&lt;p&gt;Geisel Library, Saint Anselm College, photo by author.&lt;/p&gt;</text>
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                <text>(CAT 110; Fig. 1) Titian. &lt;em&gt;Christ and his Disciples at Emmaus&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Titian. &lt;em&gt;Christ and his Disciples at Emmaus, &lt;/em&gt;c. 1545, from the Louvre. In Lucy Baxter, &lt;em&gt;The Renaissance of Art in Italy&lt;/em&gt;. New York: Scribner and Welford, 1883, p. 288 (Sealts no. 451.1).&lt;/p&gt;</text>
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                <text>&lt;p&gt;Geisel Library, Saint Anselm College, photo by author.&lt;/p&gt;</text>
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                <text>(CAT 110) Romanet after Vandenberg after Veronese. &lt;em&gt;La Fille de Paul Veronese&lt;/em&gt; (&lt;em&gt;The Daughter of Paul Veronese&lt;/em&gt;)</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 110. A. Romanet after drawing by [Gijbertus-Johannes] Vandenberg after Paul Veronese. &lt;em&gt;La Fille de Paul Veronese&lt;/em&gt; [&lt;em&gt;The Daughter of Paul Veronese&lt;/em&gt;]. De la Galerie de le Duc d’Orléans. École Venitienne. IX&lt;sup&gt;e&lt;/sup&gt; Tableau de Paul Calliari, dit Veronese. [Engraved for vol. 2 of the &lt;em&gt;Galerie du Palais royal,&lt;/em&gt; Paris: J. Couché, c. 1800.]&lt;/p&gt;
&lt;p&gt;8 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 6 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Copper engraving. COLL: BA 281. COMM: Wallace, 1986, p. 83.]&lt;/p&gt;</text>
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                <text>&lt;p&gt;Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.&lt;/p&gt;</text>
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        <name>Berkshire Athenaeum (BA)</name>
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        <name>Copper engraving</name>
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        <name>French language</name>
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      <tag tagId="293">
        <name>HM "An Afternoon in Naples in the Time of Bomba"</name>
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      <tag tagId="302">
        <name>HM "At the Hostelry"</name>
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      <tag tagId="307">
        <name>HM "Major Jack Gentian"</name>
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      <tag tagId="268">
        <name>HM Clarel</name>
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      <tag tagId="277">
        <name>HM Correspondence</name>
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      <tag tagId="280">
        <name>HM Journals</name>
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      <tag tagId="143">
        <name>La Galerie de la Duc d'Orléans</name>
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        <name>Portraits</name>
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        <name>Romanet (Antoine Louis)</name>
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        <name>Veronese (Paolo Caliari)</name>
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                <text>(INT Italian Renaissance Artists; Fig. 1) Melville’s inscription in 1852 edition of &lt;em&gt;Travels in Italy&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Herman Melville’s inscription on cover of English translation of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt; he acquired in Florence in 1857, published by Baudry in Paris in 1852 (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Courtesy of Gansevoort-Lansing Collection. Manuscripts and Archives Division. New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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        <src>https://melvillesprintcollection.org/files/original/56e45884ab073365c09e9e6b183d3067.jpg</src>
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                  <text>Chapter 2: Ancient Rome to Modern Italy</text>
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                <text>(INT Italian Renaissance Artists; Fig. 8) Engraved vignette of Rome in Melville’s copy of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Engraved vignette of &lt;em&gt;St. Peter’s, the Bridge, and the Castle of St. Angelo, Rome &lt;/em&gt;on half-title page of Melville’s copy of Valery’s &lt;em&gt;Travels in Italy&lt;/em&gt;, 1852 (Sealts no. 533).&lt;/p&gt;</text>
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                <text>Courtesy of Gansevoort-Lansing Collection. Manuscripts and Archives Division. New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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