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                <text>(CAT 112; Fig. 3) Pietro da Cortona (formerly attributed to Domenichino). &lt;em&gt;Saint Cecilia&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Pietro da Cortona (formerly attributed to Domenichino). &lt;em&gt;Saint Cecilia&lt;/em&gt;, oil on canvas, ca. 1620-25. National Gallery London.&lt;/p&gt;</text>
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                <text>&lt;p&gt;National Gallery London, Non-Commercial Creative Commons, CC BY-NC-ND 4.0, &lt;a href="https://www.nationalgallery.org.uk/paintings/pietro-da-cortona-saint-cecilia"&gt;https://www.nationalgallery.org.uk/paintings/pietro-da-cortona-saint-cecilia&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-sa/4.0/deed.en"&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 112; Fig, 2) Domenichino. &lt;em&gt;Saint Cecilia playing the Viol&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Domenichino. &lt;em&gt;Saint Cecilia playing the Viol,&lt;/em&gt; oil on canvas, 1617-18. Louvre.&lt;/p&gt;</text>
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                <text>(CAT 112; Fig. 1) Domenichino. &lt;em&gt;The Condemnation of St. Cecilia&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Domenichino. &lt;em&gt;The Condemnation of St. Cecilia&lt;/em&gt;, fresco, 1612-15, San Luigi del Francesi Church, Rome.&lt;/p&gt;</text>
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                <text>(CAT 112) William Sharp after Domenichino. &lt;em&gt;St. Cecilia&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 112. [William Sharp after Domenichino. &lt;em&gt;St. Cecilia.&lt;/em&gt;] London: Woodbury Permanent Photographic Printing Company, Hereford Lodge, Hereford Square, S. W. [Original engraving published by John Boydell 1791; photographic reproduction after 1870.]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 3 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. ANN lower margin: “St. Cecilia / Domenichino—William Sharp”; ANN verso: “Domenichino”, “St. Cecilia,” and “K. G. T.”  COLL: BA 253. COMM: Wallace, 1986, pp. 68, 83, fig. 9.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>Annotated by Herman Melville</name>
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        <name>HM "An Afternoon in Naples in the Time of Bomba"</name>
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                <text>(INT Seventeenth-Century Italian Artists; Fig. 3) Guido Reni. &lt;em&gt;Samson Victorious&lt;/em&gt;</text>
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&lt;p&gt;Guido Reni. &lt;em&gt;Samson Victorious&lt;/em&gt;. 1614-16. Bologna Pinacoteca.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Wikimedia Commons, &lt;a href="https://creativecommons.org/licenses/by-sa/4.0/deed.en"&gt;https://creativecommons.org/licenses/by-sa/4.0/deed.en&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(INT Seventeenth-Century Italian Artists; Fig. 2) Domenichino. &lt;em&gt;The Madonna of the Rosary&lt;/em&gt;</text>
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&lt;p&gt;Domenichino&lt;em&gt;. The Madonna of the Rosary&lt;/em&gt;. 1617-21. Bologna Pinacoteca.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Wikimedia Commons, CC BY-NC-ND 4.0, &lt;a href="https://commons.wikimedia.org/wiki/File:Domenichino,_madonna_del_rosario,_1617-21,_da_s._giovanni_in_monte_01.jpg"&gt;https://commons.wikimedia.org/wiki/File:Domenichino,_madonna_del_rosario,_1617-21,_da_s._giovanni_in_monte_01.jpg&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(INT Seventeenth-Century Italian Artists; Fig. 1) Melville’s marks and annotations in Valery’s commentary on the Bologna Gallery in &lt;em&gt;Travels in Italy&lt;/em&gt;, pp. 240-41</text>
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&lt;p&gt;Melville’s marks and annotations in Valery’s commentary on the Bologna Gallery in &lt;em&gt;Travels in Italy&lt;/em&gt;, pp. 240-41. Gansevoort-Lansing Collection, Manuscript and Archive Division. New York Public Library.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Courtesy Gansevoort-Lansing Collection. New York Public Library. Astor, Lenox, and Tilden Foundations.&lt;/p&gt;</text>
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                <text>&lt;p&gt;(CAT 108; Fig. 2) &lt;em&gt;Expulsion of Adam and Eve&lt;/em&gt; in Raphael’s Loggia at Vatican&lt;/p&gt;</text>
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&lt;p&gt;&lt;em&gt;Expulsion of Adam and Eve&lt;/em&gt;. Raphael’s Loggia at the Vatican, c. 1518.&lt;/p&gt;</text>
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                <text>Artstor, &lt;a href="https://library-artstor-org.northernkentuckyuniversity.idm.oclc.org/#/asset/ARTSTOR_103_41822000623684;prevRouteTS=1638711331272"&gt;https://library-artstor-org.northernkentuckyuniversity.idm.oclc.org/#/asset/ARTSTOR_103_41822000623684;prevRouteTS=1638711331272&lt;/a&gt;</text>
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                <text>&lt;p&gt;(CAT 110; Fig 7) Mary Magdalene anointing the feet of Christ&lt;/p&gt;</text>
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&lt;p&gt;Lighthouse of Genoa in 2007.&lt;/p&gt;</text>
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