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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 116) -- Traunfellner after Solimena. &lt;em&gt;Virgin and Child&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 116. [Gottfried and/or Jacob] Traunfellner after [Francesco] Solimena. [Virgin and Child.] Das Original befindet sich in der Gallerie Seiner Durchlaucht des Fürsten von Kaunitz-Reitberg, 1797. &lt;/p&gt;
&lt;p&gt;12 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; x 10 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; in. Mezzotint. COLL: BA 274. ANN verso: “50,” “K. G. T.,” “FB,” “40 cl.” COMM: Wallace, 1986, p. 83-84.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>Annotated by Katharine Gansevoort Thomas (KGT)</name>
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        <name>Berkshire Athenaeum (BA)</name>
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        <name>Biblical Subjects</name>
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      <tag tagId="58">
        <name>German language</name>
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      <tag tagId="293">
        <name>HM "An Afternoon in Naples in the Time of Bomba"</name>
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        <name>Infants</name>
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        <name>Jesus Christ</name>
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        <name>Solimena (Francesco)</name>
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        <name>Virgin Mary</name>
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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 115; Fig. 2) -- Guiseppe Mitelli, The Letter E in &lt;em&gt;Alfabeto in Sogno, &lt;/em&gt;Bologna, 1683.</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Guiseppe Mitelli, The Letter E in &lt;em&gt;Alfabeto in Sogno, &lt;/em&gt;Bologna, 1683.</text>
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                <text>Internet Archive.</text>
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                <text>(CAT 115) -- Giuseppe Mitelli. &lt;em&gt;The Letter D.&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 115. G. Mitelli. &lt;em&gt;Lettre D&lt;/em&gt;. [First letter in Mary M. Heaton’s essay] David Scott [in &lt;em&gt;L’Art&lt;/em&gt; 5 (v. 17, part 2) 1879]: 34.&lt;/p&gt;
&lt;p&gt;3 &lt;sup&gt;9&lt;/sup&gt;/&lt;sub&gt;16&lt;/sub&gt; x 2 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; in. Etching photographically reproduced. COLL: BA 190. COMM: Wallace, 1986, p. 84.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>Berkshire Athenaeum (BA)</name>
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        <name>English language</name>
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      <tag tagId="5">
        <name>Etching</name>
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      <tag tagId="68">
        <name>L'Art (Paris)</name>
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      <tag tagId="151">
        <name>Mitelli (Giuseppi)</name>
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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 114) -- Agostino Mitelli, Cartouche as head-piece for essay in &lt;em&gt;L’Art&lt;/em&gt; (Paris) 1879.</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 114. Cartouche composé et gravé par A. Mitelli. [Head-piece for essay] David Scott [in &lt;em&gt;L’Art&lt;/em&gt; 5 (v. 17, part 2) 1879]: 34.&lt;/p&gt;
&lt;p&gt;5 x 7 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; in. Etching photographically reproduced by Yves and Barrett. COLL: BA 190. COMM: Wallace, 1986, p. 84.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>Death (as persona)</name>
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        <name>English language</name>
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        <name>Etching</name>
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        <name>HM Journals</name>
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        <name>L'Art (Paris)</name>
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        <name>Mitelli (Agostino)</name>
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                <text>(CAT 112; Fig. 7) -- Melville's markings on the &lt;em&gt;Communion of St. Jerome&lt;/em&gt; and paintings by Domenichino and Guido on page 240 of Valery's &lt;em&gt;Travels in Italy.&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Detail showing Melville's markings on the&lt;em&gt; Communion of St. Jerome&lt;/em&gt; and paintings by Domenichino and Guido on the top half of page 240 of Valery's &lt;em&gt;Travels in Italy&lt;/em&gt;. Gansevoort-Lansing Collection, Manuscript and Archive Division. New York Public Library.</text>
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                <text>Courtesy Gansevoort-Lansing Collection. New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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                <text>(CAT 113; Fig. 11) -- Guido Reni. &lt;em&gt;Massacre of the Innocents&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Guido Reni. &lt;em&gt;Massacre of the Innocents,&lt;/em&gt; oil on canvas, c. 1610-12. Bologna Pinacoteca.&lt;/p&gt;</text>
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                <text>&lt;p&gt;ARTSTOR / SCALA, Florence / ART RESOURCE, NY.&lt;/p&gt;</text>
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                <text>(CAT 113; Fig. 10) -- Jusepe de Ribera. &lt;em&gt;Martyrdom of Saint Bartholomew&lt;/em&gt;</text>
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&lt;p&gt;Jusepe de Ribera. &lt;em&gt;Martyrdom of Saint Bartholomew&lt;/em&gt;, oil on canvas, c. 1828-30. Pitti Palace, Florence.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Finsiel / Alinari / Art Resource, NY, &lt;a href="https://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 113; Fig. 4) -- William Sharp after Guido Reni. &lt;em&gt;Head of Christ crowned with Thorns&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;William Sharp after Guido Reni. &lt;em&gt;Head of Christ crowned with Thorns&lt;/em&gt;, etching and engraving, 1797, London. National Galleries Scotland.&lt;/p&gt;</text>
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                <text>National Galleries Scotland, &lt;a href="https://www.nationalgalleries.org/art-and-artists/36152/head-christ-crowned-thorns"&gt;https://www.nationalgalleries.org/art-and-artists/36152/head-christ-crowned-thorns&lt;/a&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 113; Fig. 9) -- One page of J. M. W. Turner’s &lt;em&gt;Notes on the ‘Aurora’ by Guido Reni in the Palazza Pallavicini-Rospigliosi, Rome&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;One page of J. M. W. Turner’s &lt;em&gt;Notes on the ‘Aurora’ by Guido Reni in the Palazza Pallavicini-Rospigliosi, Rome, 1819&lt;/em&gt;, in Sketchbook CXCIII-3.Tate Gallery London.&lt;/p&gt;</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="756">
                <text>Tate Gallery London, &lt;a href="https://www.tate.org.uk/about-us/policies-and-procedures/creative-commons-licences-tate"&gt;Creative Commons CC-NE-MD&lt;/a&gt; (3.0 unported)</text>
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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 113; Fig. 8) -- Guido Reni. &lt;em&gt;Aurora&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Guido Reni. &lt;em&gt;Aurora,&lt;/em&gt; ceiling fresco in Casino dell’Aurora, Pallavincini Collection, Rome, c. 1635.&lt;/p&gt;</text>
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              <elementText elementTextId="755">
                <text>Wikipedia Commons, &lt;a href="https://commons.wikimedia.org/wiki/File:Guido_Reni_-_Aurora_-_WGA19273.jpg"&gt;https://commons.wikimedia.org/wiki/File:Guido_Reni_-_Aurora_-_WGA19273.jpg&lt;/a&gt;</text>
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