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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 112; Fig. 7) -- Melville’s markings on &lt;em&gt;The Communion of St. Jerome&lt;/em&gt; as depicted by Agostino and Domenichino</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Melville's markings on the&lt;em&gt; Communion of St. Jerome&lt;/em&gt; as depicted by Augustino and Domenichino (along with many other markings on paintings by Domenichino and Guido) on page 240 of Valery's &lt;em&gt;Travels in Italy&lt;/em&gt;. Gansevoort-Lansing Collection, Manuscript and Archive Division. New York Public Library.</text>
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                <text>Courtesy Gansevoort-Lansing Collection. New York Public Library. Astor, Lenox, and Tilden Foundations.</text>
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                <text>&lt;p&gt;(CAT 112; Fig. 8) -- Domenichino's &lt;em&gt;The Communion of St. Jerome &lt;/em&gt;in Melville's copy of &lt;em&gt;The Works of Eminent Masters&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Domenichino's &lt;em&gt;The Communion of St. Jerome &lt;/em&gt;in the essay on "Domenic Zapieri" in Melville's copy of &lt;em&gt;The Works of Eminent Masters. &lt;/em&gt;London: John Cassell, 1854, 2:201.</text>
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                <text>&lt;p&gt;Houghton Library, Harvard University, AC85 M 4977 Zz854w&lt;/p&gt;</text>
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                <text>(CAT 120; Fig. 1) -- Evans after Read. &lt;em&gt;The Bay of Naples, from Posilipo&lt;/em&gt;, 1856</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Edmund Evans after Samuel Read. &lt;em&gt;The Bay of Naples, from Posilipo&lt;/em&gt;. &lt;em&gt;Illustrated London News&lt;/em&gt; 35 (November 29, 1856): 544.&lt;/p&gt;</text>
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                <text>Samuel Otter.</text>
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                <text>(PT Flaxman’s Dante; Fig. 1) -- Piranesi. &lt;em&gt;The Drawbridge&lt;/em&gt;, Second Edition</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Piranesi. &lt;em&gt;The Drawbridge,&lt;/em&gt; etching. No. 7 in second edition of the &lt;em&gt;Carceri d’Invenzione&lt;/em&gt; &lt;em&gt;(Imaginary Prisons),&lt;/em&gt; 1761.&lt;/p&gt;</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="839">
                <text>Yale University Art Gallery, &lt;a href="https://artgallery.yale.edu/collections/objects/178055"&gt;https://artgallery.yale.edu/collections/objects/178055&lt;/a&gt;</text>
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                <text>(CAT 73; Fig. 1) -- &lt;em&gt;Antinous, Villa Albani&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
&lt;p&gt;Robert Macpherson. Antinous—bas relief, Villa Albani, 1860s. Albumin silver print.&lt;/p&gt;</text>
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                <text>J. Paul Getty Museum, Los Angeles, &lt;a href="https://www.getty.edu/art/collection/objects/40662/robert-macpherson-antinous-bas-relief-villa-albani-scottish-1860s/"&gt;https://www.getty.edu/art/collection/objects/40662/robert-macpherson-antinous-bas-relief-villa-albani-scottish-1860s/&lt;/a&gt;</text>
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                <text>(CAT 120) -- Samuel Read. &lt;em&gt;The Bay of Naples.&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 120. [Samuel Read. &lt;em&gt;The Bay of Naples.&lt;/em&gt; A two-page spread in Christmas Double Number of &lt;em&gt;The Illustrated London News, &lt;/em&gt;December 22, 1860.]&lt;/p&gt;
&lt;p&gt;17 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 11 &lt;sup&gt;11&lt;/sup&gt;/&lt;sub&gt;15&lt;/sub&gt; in. Color lithograph. COLL: BA, framed, with sticker on back: “This belonged to Herman Melville. E. M. M.” COMM: Metcalf, 1953, pp. 282-83; Parker 1997:40; Wallace, 2000, 57; Otter and Wallace, pp. 95-99, fig. 3.&lt;/p&gt;</text>
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                <text>Courtesy of the &lt;a href="https://www.pittsfieldlibrary.org/"&gt;Berkshire Athenaeum&lt;/a&gt;, licensed under &lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode"&gt;CC BY-NC-ND 4.0&lt;/a&gt;.</text>
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        <name>Berkshire Athenaeum (BA)</name>
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        <name>Cityscapes</name>
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        <name>Color engravings</name>
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        <name>Eleanor Melville Metcalf (EMM)</name>
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        <name>HM "An Afternoon in Naples in the Time of Bomba"</name>
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        <name>HM "At the Hostelry"</name>
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        <name>HM "Pausilippo"</name>
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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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                <text>(CAT 119; Fig. 1) -- Domenichino. &lt;em&gt;The Martyrdom of St. Peter&lt;/em&gt;</text>
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                <text>&lt;h3&gt;Image Identification&lt;/h3&gt;
Domenichino. &lt;em&gt;The Martyrdom of St. Peter&lt;/em&gt;, 1618-20. Bologna Pinacoteca.</text>
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                <text>&lt;p&gt;Wikiart, &lt;a href="https://www.wikiart.org/en/domenichino/the-martyrdom-of-st-peter-1620"&gt;https://www.wikiart.org/en/domenichino/the-martyrdom-of-st-peter-1620&lt;/a&gt;&lt;/p&gt;</text>
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                <text>(CAT 119) -- Lithograph by Libotte. &lt;em&gt;Venditore di frutti di mare a S. Lucia.&lt;/em&gt; Naples</text>
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                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;Libotte. &lt;em&gt;Venditore di frutti di mare a S. Lucia.&lt;/em&gt; [Naples, c. 1835.]&lt;/p&gt;
&lt;p&gt;4 &lt;sup&gt;3&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; x 7 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; in. Colored lithograph vignette. COLL: Reese / MSA. EXH: Pittsfield 1950. COMM: Wallace, 1993, no. 6, fig. 7, p. 13.&lt;/p&gt;</text>
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                <text>William Reese Collection, Melville Society Archive, New Bedford Whaling Museum</text>
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        <name>Genre scenes</name>
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        <name>HM "An Afternoon in Naples in the Time of Bomba"</name>
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      <tag tagId="308">
        <name>HM "Syra A Transmitted Reminiscence"</name>
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        <name>HM Billy Budd Sailor (BBO)</name>
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        <name>Italian language</name>
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        <name>Libotte</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
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    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="810">
                <text>(CAT 118) -- Untitled ecclesiastical scene in Apse of St. Peter's, the Vatican, Rome</text>
              </elementText>
              <elementText elementTextId="811">
                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 118. [Engraver unknown. Untitled ecclesiastical scene in apse of St. Peter's, the Vatican, Rome, c. 1830.]&lt;/p&gt;
&lt;p&gt;6 &lt;sup&gt;5&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; x 8 &lt;sup&gt;7&lt;/sup&gt;/&lt;sub&gt;8&lt;/sub&gt; in. Hand-colored outline engraving. COLL: Reese / MSA. EXH: Pittsfield, 1950. COMM: Wallace, 1993, no. 5, p. 13.&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="812">
                <text>William Reese Collection, Melville Society Archive, New Bedford Whaling Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24">
        <name>Architecture and Archeology</name>
      </tag>
      <tag tagId="97">
        <name>Color engravings</name>
      </tag>
      <tag tagId="159">
        <name>Ecclesiastical scenes</name>
      </tag>
      <tag tagId="126">
        <name>Line engraving</name>
      </tag>
      <tag tagId="149">
        <name>Melville Society Archive</name>
      </tag>
      <tag tagId="96">
        <name>Popes</name>
      </tag>
      <tag tagId="112">
        <name>William Reese Collection</name>
      </tag>
    </tagContainer>
  </item>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="338">
                  <text>Chapter 2 -- Ancient Rome to Modern Italy</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="807">
                <text>(CAT 117) -- Joseph Longhi. &lt;em&gt;Napoleon as Emperor of France and King of Italy&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="808">
                <text>&lt;h3&gt;Print Identification&lt;/h3&gt;
&lt;p&gt;CAT 117. Drawn and engraved by Joseph Longhi, 1806. [&lt;em&gt;NAPOLEON. I.  GALL. IMP. ITAL. REX.&lt;/em&gt; (Napoleon as Emperor of France and King of Italy. Engraved text:] “Solus / Pres Italas armis lutaris, moribus ornas / Legibus ememdas . . . Horace.” &lt;/p&gt;
&lt;p&gt;3 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; in. diameter on 12 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;2&lt;/sub&gt; x 10 &lt;sup&gt;1&lt;/sup&gt;/&lt;sub&gt;4&lt;/sub&gt; in. folio sheet. Copper engraving. COLL: OCSW. EXH: Georgetown 1985 (cat. no. 3, p. 13). COMM: Sealts, &lt;em&gt;Early Lives&lt;/em&gt;, 176, 250; Herbert 1985, cat. no. 3, p. 13; Reynolds, 1988, p. 114, rpr. 115; Wallace 2018, 96-98, fig.6.&lt;/p&gt;</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="809">
                <text>Courtesy Osborne Collection of Melville Materials, Southwestern University, Georgetown, Texas.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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    <tagContainer>
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        <name>Copper engraving</name>
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      <tag tagId="94">
        <name>Emperors</name>
      </tag>
      <tag tagId="271">
        <name>HM Moby-Dick</name>
      </tag>
      <tag tagId="25">
        <name>Italian language</name>
      </tag>
      <tag tagId="60">
        <name>Kings</name>
      </tag>
      <tag tagId="157">
        <name>Longhi (Joseph)</name>
      </tag>
      <tag tagId="158">
        <name>Osborne Collection (Southwestern University) (OCSU)</name>
      </tag>
      <tag tagId="10">
        <name>Portraits</name>
      </tag>
    </tagContainer>
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